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Waterholes

This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle.

During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Name: Brianna Booth


Language: Manyjilyjarra


Community: Parnngurr


Biography:

I was born in Port Hedland and grew up in Parnngurr Community with family.

Mostly I grew up with my grandmother and learnt how to hunt. She taught me to respect myself and others. She was telling me all the dream stories when I was young. I was watching my other grandmother Ngamaru paint and learned from her, asking her about them. She told me about her Country around and through the Canning Stock Route. 

I like to paint Parnngurr Country all over Martu Country.


© the artist / art centre