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Wili (My Grandfather’s Country)
“This painting shows my Grandfather’s Country (Wili), where they used to walk around in circles searching for bush tucker and water from the waterholes. When our ancestors came out from the Canning Stock Route, they used to see big mob of sand dunes and flowers. This painting is about waterholes and the red desert sand. The different colours represent the wildflowers, the brown is the sand dunes and the circles are the waterholes.”
– Bibianna Tumbler
This artwork depicts Country in and around the Great Sandy Desert — an immense area stretching from the edges of the Kimberley near Bidyadanga and Eighty Mile Beach, east through Walyarta (Mandora Marsh) and Percival Lakes, and down toward Kulyakartu, Kunawarritji (Well 33) and the Canning Stock Route. It is a vast landscape of dunes, claypans, salt lakes and waterholes.
For many families connected to Bidyadanga, this is ancestral land and holds places and significant sites where the old people lived pujiman (traditional desert-dwelling) lives before travelling to the coast.
The Great Sandy Desert is not empty — it is full of life, memory and movement. Soft sandhills rise and fall like waves, spinifex shimmers in the wind, flowers bloom after rain, and jila (living waterholes) lie hidden beneath the surface. People hunted goanna, bush turkey and small animals, dug for water, gathered bush foods, and camped beside claypans. Families walked long distances between soaks, teaching others how to read the land, follow tracks and travel safely.
In painting, the desert becomes a map of belonging — circles showing water and camps, lines following walking tracks and dunes, and soft patterns recalling plants, sand ridges and the glow of sunsets across wide skies. Colours shift between deep reds, ochres, warm sand tones and the greens that come after rain.
Dimensions: 61 x 91cm
