Sovereignty – Land Our Land holds a big depiction in illustration of where our sovereignty stands. Art Centre notes: Paper size: 40 x 53cm The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties. Artist: Danie Savage Printer: Dian Darmansjah Printed: Read more…
Sovereignty – Land Our Land holds a big depiction in illustration of where our sovereignty stands. Art Centre notes: Paper size: 40 x 53cm The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties. Artist: Danie Savage Printer: Dian Darmansjah Printed: Read more…
Mabbúlarr (Calm Still Water) Mabbúlarr is the Ndjébbana word describing calm and stillness – both regarding people and the ocean. This design tells the story of underwater life in the shallows. The turtle we call marláddja (green turtle, Chelonia mydas) and the stingray we call marnandjúbba (Cowtail Stingray, Pastinachus sephen). Read more…
Mabbúlarr (Calm Still Water) Mabbúlarr is the Ndjébbana word describing calm and stillness – both regarding people and the ocean. This design tells the story of underwater life in the shallows. The turtle we call marláddja (green turtle, Chelonia mydas) and the stingray we call marnandjúbba (Cowtail Stingray, Pastinachus sephen). Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists Read more…
Kunkurra (Spiral Wind) ‘My designs, they are all alive living up in my head’- Janet Marawarr Janet Marawarr has depicted kunkurra, the spiralling wind associated with several sites in the Kardbam clan. On one level, this design can be interpreted as a depiction of the kinds of mini-cyclones common during Read more…
Kunkurra (Spiral Wind) ‘My designs, they are all alive living up in my head’- Janet Marawarr Janet Marawarr has depicted kunkurra, the spiralling wind associated with several sites in the Kardbam clan. On one level, this design can be interpreted as a depiction of the kinds of mini-cyclones common during Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…