Wantili (Warntili, Canning Stock Route Well 25) “Bugai always tells about Wantili (Warntili, Canning Stock Route Well 25) because she grew up around Wantili. Her family would travel between Wantili, Kaalpa, Juntu-juntu, Raarki, and Wuranu Wells along the Canning Stock Route. She paints around Wantili. She saw whitefellas there for Read more…
Wirnpa Wirnpa is an extremely significant cultural site and a soak located within a salt lake at the northern end of the Percival Lakes region, surrounded by a cluster of salt springs. Wirnpa lies in Yulparija Country, in a region dominated by dramatic salt lakes and corrugations of permanent red Read more…
Wantili (Warntili, Canning Stock Route Well 25) “Bugai always tells about Wantili (Warntili, Canning Stock Route Well 25) because she grew up around Wantili. Her family would travel between Wantili, Kaalpa, Juntu-juntu, Raarki, and Wuranu Wells along the Canning Stock Route. She paints around Wantili. She saw whitefellas there for Read more…
Kurranji, Shield I have lived and worked on Buru, at Timbercamp Station, all my life. I am interested in traditional mark making, Using native tree species in my timber work and I am very inspired by the bush. I enjoy fishing, hunting and working the land. I also enjoy gathering Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Wantili (Warntili, Canning Stock Route Well 25) “This is my Grandmother’s [Bugai Whyoulter’s] Country, my Country. Wantili (Warntili, Canning Stock Route Well 25) is old Law Grounds from Dreaming days and very important to Martu people. My grandmother always tells me about Wantili because she grew up around Wantili. It Read more…
Untitled “I like painting. It’s a good way to learn from the old people and keep the stories going.” – Cyril Whyoulter Cyril Whyoulter is one of the most dynamic and exciting practitioners to emerge from the youngest generation of Martumili Artists. He, like his contemporaries, began to paint with his parents, Read more…
Untitled “I like painting. It’s a good way to learn from the old people and keep the stories going.” – Cyril Whyoulter Cyril Whyoulter is one of the most dynamic and exciting practitioners to emerge from the youngest generation of Martumili Artists. He, like his contemporaries, began to paint with his parents, Read more…
Yok (Bandicoot) The ancestral site for yok (bandicoot) is a hill called kordeme near Buluhkaduru outstation. It is a restricted place. People used to hunt yok regularly, however they are rarely seen anymore. Lena Yarinkura explains that in the past djungkay (cultural managers) would perform rituals at the site, calling Read more…
Galawon (Goanna) This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most important Kuninjku creation beings, a father and son, hunted and Read more…