CompNet Systems

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Pilkati anta rumiya (Snake and goanna)

Snake this one, eating, here, at the water. This mob over there are stabbing it with a spear. He’s trying to bite and eat that one over there. And that over there is coming to look at him, that one. This one, he’s watching, he is, ‘ooohhh!’, sneaking up intending to bite it. That one over there …
he bit him, that goanna yep, this one.
Coming to here, coming through the bush to the water, ‘ooohhh!’, they see it! ‘What happened here?’
Over there, a goanna is coming along. Going, going into the bush, across the water, sneaking up to try and bite it.
Yeah, this one, two men standing, over there is another, there watching all this the snake,
see? And see this line … he’s slowly sneaking along it.

After that, that one over there stabs him with a spear, with a spear he stabbed. Went and got that goanna and ate it, over there came and see all this mob.

Yeah, finished like that, that’s how I made this one by the water.

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Four Dreamings

In this work Carbiene depicts four dreaming stories which he inherited from his father. These tjukurrpa are associated with a series of waterholes running between Docker River and Kata Tjuta. Specifically, it includes four important sites: Petermann Ranges, Docker River, Kalaya Murrpu (Blood’s Range) and Mulyayti near Kata Tjuta. 

As a young man, Carbiene returned to these places and retraced the footsteps of his father. These memories stay with him vividly today. 

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Kapi Tjukurrpa

This painting tells one of many water dreamings from the Papunya area. The circles represent important water or rock hole sites. The background design symbolises the landscape after the rains when the earth has been replenished with new growth. The rock holes collect the water during the rains. Knowledge of where to find water is handed down from generation to generation to ensure survival in the desert. This work represents the elements of a storm – wind, rain, thunderclouds and lightning. It also tells the story of rain and water flowing from the waterholes and flooding the usually dry creek beds. If present, the U shapes are the women sitting around the rock holes. 

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Kapi Tjukurrpa

This painting tells one of many water dreamings from the Papunya area. The circles represent important water or rock hole sites. The background design symbolises the landscape after the rains when the earth has been replenished with new growth. The rock holes collect the water during the rains. Knowledge of where to find water is handed down from generation to generation to ensure survival in the desert. This work represents the elements of a storm – wind, rain, thunderclouds and lightning. It also tells the story of rain and water flowing from the waterholes and flooding the usually dry creek beds. If present, the U shapes are the women sitting around the rock holes. 

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Kalipinypa Tjukurrpa

The painting depicts designs connected to Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, a sacred site northwest of the Aboriginal Community of Kintore in the Central Western Desert of Australia. The Tjukurrpa tells of an important rain making ceremony to invoke the elements. It is a powerful storm bringing on the lightning, thunderclouds and rain sending its deluge to rejuvenate the earth, filling rock holes, clay pans and creeks. It has the power to create new life and growth upon the land. There is a lightning strike at this place.

In this Tjukurrpa the angular shapes represent the dryness of the Kapi Tjukitji (waterhole). Alice talks of having no spring water in this site. The arrow shapes represent the footprints of the white heron that frequent the site. The custodians for this tjukurrpa are Nakamarra, Tjakamarra, Naparula and Tjaparulla skin subsections.

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Lizzie – Karrinyarra Tjukurrpa

This painting depicts designs connected to the sacred site of Karrinyarra. This is a Kapi Tjukurrpa (Water Dreaming) and Yalka Tjukurrpa (Bush Onion) place. The lines can represent water travelling over country and the dots represent the Yalka plant that is in abundance in the area.

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Simon Yungut – Tingari

Simon’s paintings depict the dreaming stories and the travels of the Tingari, using the traditional concentric circle and line design.

Tingari refers to the Dreaming and its Laws for the Pintupi language group of the Central Western Desert. The Tingari is the Creation era when the Dreamtime Ancestors moved across the lands, creating the features of the landscape and all aspects of the natural world.

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Doris Bush Papa Tjukurrpa – Nyumannu

Nyunmanu is a Dingo Dreaming site just to the south east of the remote Aboriginal community of Kintore in the Northern Territory. Most of the dingoes and their pups from this place rose up into the sky and became stars. However, the ancestral mother Dingo and her pup had gone out hunting and were too tired to rise up, so they turned into a large rock that marks the place of this sacred Dreaming. 

It is said that if you sleep in this place you will dream of the ancestral dingo puppies. The story goes that if you remove one of the gleaming stones found at Nyunmanu, the puppies will haunt your dreams until you return it to the place where it belongs. The custodians of this Tjukurrpa are Nungarrayi, Tjungarrayi, Napaltjarri and Tjapaltjarri women and men.

The circles in this story often represent important waterholes. The roundels extending from the circles are the designs the women paint on their breasts during ceremony.

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Four Dreamings – Carbiene McDonald

In this work Carbiene depicts four dreaming stories which he inherited from his father. These tjukurrpa are associated with a series of waterholes running between Docker River and Kata Tjuta. Specifically, it includes four important sites: Petermann Ranges, Docker River, Kalaya Murrpu (Blood’s Range) and Mulyayti near Kata Tjuta. 

As a young man, Carbiene returned to these places and retraced the footsteps of his father. These memories stay with him vividly today. 

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Doris Bush Papa Tjukurrpa – Nyumannu

Nyunmanu is a Dingo Dreaming site just to the south east of the remote Aboriginal community of Kintore in the Northern Territory. Most of the dingoes and their pups from this place rose up into the sky and became stars. However, the ancestral mother Dingo and her pup had gone out hunting and were too tired to rise up, so they turned into a large rock that marks the place of this sacred Dreaming. 

It is said that if you sleep in this place you will dream of the ancestral dingo puppies. The story goes that if you remove one of the gleaming stones found at Nyunmanu, the puppies will haunt your dreams until you return it to the place where it belongs. The custodians of this Tjukurrpa are Nungarrayi, Tjungarrayi, Napaltjarri and Tjapaltjarri women and men.

The circles in this story often represent important waterholes. The roundels extending from the circles are the designs the women paint on their breasts during ceremony.