Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral tales Read more…
Ngayuku Walka / My Design Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
Ngayuku Walka / My Design Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
Ngayuku Walka / My Design Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
Ngayuku Walka / My Design Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
Piltati – Elizabeth Dunn’s story Piltati is Elizabeth’s great-grandfather’s country and her dreaming story. Two brothers were married to two sisters and they all lived together. One day the two men go out hunting, looking for malu (kangaroo). They travel everywhere and find nothing. They start to worry – what Read more…
Ngalyod (Rainbow Serpent) The rainbow serpent is a powerful ancestral being for Aboriginal people throughout Australia. Characteristics of the rainbow serpent vary greatly from group to group and also depending on the site. Often viewed as a female generative figure, the rainbow serpent can sometimes also be male. She has both Read more…
Ngalyod (Rainbow Serpent) The rainbow serpent is a powerful ancestral being for Aboriginal people throughout Australia. Characteristics of the rainbow serpent vary greatly from group to group and also depending on the site. Often viewed as a female generative figure, the rainbow serpent can sometimes also be male. She has both Read more…
Goanna fat Bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, the walls of bark shelters in the Kimberley and Arnhem Land may well have been painted to convey and illustrate stories in the same way that rock shelters were. Bark painters in the Maningrida Read more…
Barru at Mankorlod Bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, the walls of bark shelters in the Kimberley and Arnhem Land may well have been painted to convey and illustrate stories in the same way that rock shelters were. Bark painters in the Read more…