Djilpin Arts Aboriginal Corporation
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Four Watersnakes Four freshwater water snakes in the billabong with the waterlillies and logs. Along the logs are all the bubbles.
Four Watersnakes Four freshwater water snakes in the billabong with the waterlillies and logs. Along the logs are all the bubbles.
Billabong Food Catfish, bream, barramundi, waterlillies and yam
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
My Country This painting is the representation of the fresh water swimming spots throughout Yindjibarndi country connecting through the country and the green trees surrounding them, providing perfect shade and cooling in the Pilbara heat. The reddish brown is for the dirt that rich and unique to the country. I Read more…
Lalla Rookh Station “Belong to my mumma (Molly Woodman), uncle (Billy Thomas), granny and grandad. They was working there – young days. I been living there for a while with my big sister, Clara (dec.). We been sleep there awhile when we were young. We was working there, cook the Read more…
Kaalpa (Kalypa, Canning Stock Route Well 23) “Kaalpa (Kalypa, Canning Stock Route Well 23) is my grandfather’s Country. There’s a waterhole there, Kaalpa waterhole. It’s my two pops’ Country. They been walking around, hunting around Kaalpa. You can see a yapu (rock), warla (lake), claypans, karru (creek) and tuwa (sandhills) there. It’s on the [Canning] Stock Route, it’s Read more…
Untitled This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Warralong (Karntimarta, Warralong Community) “We was doing our painting in Warralong. Me and my sister, Clara (dec.). Looking after all the kids and do them painting. Keeping them in School. Long time in the school. Then when we finish we go look after our brother and sister. When they finish Read more…
Untitled (jila-jila, two snakes) Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Read more…