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Status: Stock


Make it Real Magnet by Ben Ward

Pigeon Dreaming

Ben has depicted Pigeon Dreaming in this painting. “The peace pigeon – gooloodoodoog created this country by scratching out the
ground with his feet in the Dreamtime.” The central design represents a water hole. “I have deliberately painted a nuclear waste
symbol in the centre. White man has destroyed this Country by allowing cattle to roam all over it. This is a sacred site and the
waterhole in the centre has been fouled up. You wouldn’t go near a nuclear waste site, would you?”

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Make it Real
Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.


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Namorrorddo a profane spirit

Namorrorddo is a profane spirit sometimes called a ‘bad angel’ in Aboriginal English.

The Namorrorddo is a yirridjdja moiety being associated with the Yabbadurruwa regional cult ceremony.

Namorrorddo sits upon a rock and is usually painted with long claw like hands and feet. Sometimes spurs protrude from the elbows somewhat like those of a flying fox. Namorrorddo carries light, which emanates from his head. The shooting stars seen at night are Namorrorddo travelling across the night sky.

He whistles an eerie cry, which Aboriginal people say they can hear at night from time to time. Namorrorddo is feared as an evil being who attacks humans by clubbing them with his fighting stick or miyarrul. Namorrorddo is also sometimes depicted carrying bamboo spears and a spear thrower. Namorrorddo is a major dreaming totem for the Kardbam clan. There are a few examples of images of Namorrorddo painted in rock shelters in the Mann and Liverpool Rivers district.

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Namorrorddo a profane spirit

Namorrorddo is a profane spirit sometimes called a ‘bad angel’ in Aboriginal English.

The Namorrorddo is a yirridjdja moiety being associated with the Yabbadurruwa regional cult ceremony.

Namorrorddo sits upon a rock and is usually painted with long claw like hands and feet. Sometimes spurs protrude from the elbows somewhat like those of a flying fox. Namorrorddo carries light, which emanates from his head. The shooting stars seen at night are Namorrorddo travelling across the night sky.

He whistles an eerie cry, which Aboriginal people say they can hear at night from time to time. Namorrorddo is feared as an evil being who attacks humans by clubbing them with his fighting stick or miyarrul. Namorrorddo is also sometimes depicted carrying bamboo spears and a spear thrower. Namorrorddo is a major dreaming totem for the Kardbam clan. There are a few examples of images of Namorrorddo painted in rock shelters in the Mann and Liverpool Rivers district.

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Ntang Native Seeds

The seeds are collected under a tree by laying a tarp on the ground and hitting the tree continuously until most of the seeds have fallen. Once the seeds are collected they are then ground with a mortar and grinding stone.

A number of these grinding stones have been in families for generations. Once seeds are ground, water is added and mixed until a damper like substance is formed and placed under the coals until cooked.

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Yalpirakinu

Yalpirakinu is Adrian’s mother’s country. Adrian’s mother is the late Eunice Napangardi, a well known painter herself. His artworks consistently refer to the desert mountains, ridges and trees which are part of Yalpirakinu. Using a restricted colour palette, Adrian’s  brushwork is loaded with energy, drama and memories. He is a deliberate and thoughtful painter; reworking, pushing and pulling the image to completion.

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Vicky Pula Holmes – My Mothers Country

Ampilatwatja is my Mothers Country, I come from a long line of artists.

My family still traditionally hunt and gather, I share my love for the land, plants, flowers and trees, with my children and grandchildren. 

My paintings are inspired by the changing seasons and I sometimes collect bush medicine plants which I make into tea to drink and bush medicine body lotions.  My favourite is aherr-aherr (lemon grass) which I boil up and then use as a body and hair wash, this always makes me feel right and good.   

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), traveling with family for ceremonies, and maintaining a connection with the land.

“This is my Mothers country, my view of country”

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’(dreaming stories). The artists paint their country where those stories sit.

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Betty Pula Morton – My Country and Bush Medicine

I paint my country where I find bush tucker and bush medicine. I am very happy when out bush hunting and gathering, it is where I feel connected to country and culture. My inspiration is from being out on the land, especially from the hunting and gathering trips where I see the different seasonal plants, bush foods and medicines, that are producing at that time and observes the ever-changing layered landscapes, it is always changing, with the light of day and the seasons of the year.

I enjoy and understand the importance of painting bush medicine plants. They help in the healing of my people and it keeps the tradition and knowledge strong. These particular plants are very plentiful after rain and can be used for numerous conditions, such as skin irritations, flu, coughs and infections.

Bush medicine plants are used for healing on the body and for drinking. We make this by smashing the plants with a rock, we use the juice and the fibre of the plant. We collect bush medicine plants when we are out hunting, different kinds of plants grow during different seasons.

There are lots of different medicines, we know what their stories are as we learnt them from our parents and we teach these stories to our children.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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River and Rocks

“This river we call Mangabo. It is near Gudjarrngarrl homeland of my daughters, Deborah and Jennifer Wurrkidj. We cross that river when travelling to Munmoy outstation. In the wet season, that water comes up and covers over those rocks, and when you look down there are rocks all under the water.” 

– Helen Lanyinwanga

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Tali / Sand dune

This design is inspired by the red sand dunes that are found throughout the central desert. There is a large red sand dune near Ernabella named Wamikata which is a popular place for looking for maku (witchetty grubs) and for teaching Milpatjunanyi (telling stories in the sand) to children.

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Joyrene Ngwarraye Holmes – Wildflowers

When I go hunting for aker arlkerl (echidna) around the sandhills of Ampilatwatja I always spot the wild flowers and honey flowers.  We tap the Bankias against our hand and get the honey, it is sweet to taste.

 After the rain and bushfires all the new flowers pop up around me. My favourite time of the year is winter when it is cooler to walk and hunt. 

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.