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Minyipuru (Jakulyukulyu, Seven Sisters)

The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, plants, animals, and people. At the same time they provided cultural protocols for the people they created, as well as rules for interacting with the natural environment. At their journey’s end, the ancestral beings transformed themselves into important waters, hills, rocks, and even constellations. 

Minyipuru, or Jakulyukulyu (Seven Sisters) is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. When Martumili Artists was established in 2005, this was the first Jukurrpa story the artists agreed to paint for a broader public. 

Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following a group of women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled.

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Marapinti

“Marapinti, close to Kiwirkurra. That’s my auntie’s ngurra (home Country, camp), her Jukurrpa (Dreaming). Most of that area is sandhill, with a big rock on the side. Very sacred place- no man can go. That’s a woman’s place. The Seven Sisters were there. They still there, they stayed after the Dreamtime. They always dance there, women meeting together. They used to dance like this [motions hands up and down]. There’s a tunnel inside the rocks, and bush tucker [from the Dreamtime] all around there inside, and two women- twins.

Sometimes I go dancing with my daughter there, with the other girls for culture, for learning. The old ladies have to go too- they boss for that Country. Sometimes we go for ranger trips too.”

– Daphne Larry

 

Marapinti is a rockhole located west of Kiwirrkurra in Western Australia’s Gibson Desert. The site is surrounded by many small rockholes and caves. Marapinti is an important site in the Minyipuru (Kanaputa, Jakulyukulyu, Seven Sisters) Jukurrpa (Dreaming). Minyipuru is a key creation narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following a group of women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

Marapinti is the easternmost point visited by the Minyipuru in their journey across Martu Country. As they travelled, singing and dancing towards Pintupi Country, the Minyipuru created waters and landforms. On reaching Marapinti they performed ceremonies and pierced their septum with nose bones, a practice also known as marapinti. Today the Minyipuru can be seen at Marapinti as a group of rocks, sitting up like women.

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My Country

The Pilbara is where my ancestors come from. The Yindjibarndi and Ngarluma people. There are many things that inspire me like the red hills and dirt, the many beautiful fresh water swimming holes, the rivers and creeks connected to them and the vibrant colours of the wildflowers that grow across the country side scattered amongst the spinifex and trees.

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Freshwater Dreaming

I am inspired by the freshwater holes in my Grandmother’s Country, Ngarluma Land, located in the North West Pilbara Region of Western Australia. After it rains the waterholes, rivers and creeks fill up and flow through the Country; that’s the best time to go out bush and enjoy with the family.

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Sea Turtle

When we see sea turtles it can mean that they can be mating and that makes us aware that they will soon be going to lay eggs. Some of our people eat the eggs and turtles.

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Pilbara Hills

In our country, we have many hills of all different shapes and sizes. When driving through country at different times the colours change and some of the hills look like velvet in the evening and morning light .

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After the Big Rain

After the rain the rivers and creeks in our country come alive with a new growth of plants. The country is filled with beautiful colours. We rejoice looking at our rivers and creeks full of water, so that we can go fishing, kids can go swimming and we can picnic with our families and friends.

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Pilbara flowers (blue bells)

Blue bells are common in the pilbara.It grows to a certain height in the bush and grows amongst the other flowers such as sturt pea and mulla mulla flowers.This flower has a prickly stem and every year grows wild in our country.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Tjulpu Kulunypa – Baby Birds

This is an artwork about birds and their chicks. Carlene often paints birds, as tjulpu tjukurpa (bird dreaming) is related to her family’s country which is near Kanypi in the Western APY Lands. As a mother of several children, family themes are common in Carlene’s work. People call her Tjulpu Thompson, and she says ‘like I did with my children, I now raise chicks every day on canvas and in clay in my work’.

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