Untitled The Western Desert term jila is used interchangeably to describe springs considered to be ‘living’ waters and snakes, both of which play a central role in Martu culture and Jukurrpa (Dreaming). During the pujiman (traditional, desert dwelling) period, knowledge Read more…
Spring Time “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, Read more…
Spinifex “When I went back to County, I thought how beautiful the spinifex was. How the sun glazed against the spinifex. The County that I speak of is Jilukurru, my grandfather’s country.” – Kathleen Maree Sorenson Martu Country is dominated Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Linyji This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, Read more…
Warnman Country “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, Read more…
Yala[ara Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and Read more…
Warturata “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Michelle’s Tjala Dreaming (Honey Ant) Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings: I Read more…
Pulukangka (Stockman) Mr Jack was a stockman. He likes to tell stories about his time as a stockman on nearby cattle stations and as a young fella working on the sheep station at the Ernabella Mission. Mr Jack says about Read more…