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Minyma Kutjara

There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.

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Minyma Kutjara

There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.

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Ngayuku Ngura – My Country

Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.

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Ngayuku Ngura – My Country

Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.

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Ngayuku Ngura – My Country

Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.

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Piltati

There were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands were thinking, ‘Where are our wives?’ and they decided to go looking for them. One brother said to the other, ‘What should we become to go looking for them?’ and the other brother said ‘Why don’t we become Rainbow Serpents?’ And they travelled in the sky looking down for their wives. Finally they see them hunting for carpet snakes and they put something in the hole where the women were digging. The women find it and then dig another hole and once again the men have put something in there. And this is how the men lure the women back to Piltati where the men make the sisters transform into Wanampi, swallow them and keep .them in their throats. All four of them live together in the waterhole and still live there today.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Kampurarpa Tjukurpa – Elizabeth’s Story

Kampurarpa are bush tomatoes. Elizabeth’s work comments on the environmental change that has occurred on her country due to the introduction of non-native fauna such as cattle, and flora, notably weeds like buffel grass. Buffel grass is so widespread and destructive that it is commonly known in and around Pukatja as tjanpi mamu or devil grass.

From the very start of Elizabeth’s artistic practice she has drawn her kampurarpa tjukurpa (bush tomato story) in clay. In the old times kampurarpa were one of the main foods for Anangu.

I’ve seen the land change. We used to have a lot of flowers. We used to go out to the bush to collect bush tucker, like kampurarpa (bush tomatoes). And now there’s a lot of buffel grass everywhere. The land is changed by the buffel grass. Now there’s no more flowers – no purple flowers, yellow flowers, white or pink flowers. I’ve seen it. When all the cattle and the sheep and the goats came, the kangaroos left and went a long way away. They saw the strange animals and they left. That’s a true story.

Today, sometimes we still go out and collect kampurarpa but not like we did before. Our country has been changed by cattle and weeds like buffel grass, so we can’t find all the old foods like we once did. I’ll keep telling the kampurarpa story in my work, that keeps the stories, songs and dances about these important foods alive and strong.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.