Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…
Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…
Hand Painted – Greeting Card Bana Yirriji Art Centre represents artists from the Yalanji, Nyungkul and Jalunji clan groups. Bama (local people) have had a long history of artistic expression, including ceremonial body painting, weavings made from local plants, rainforest shields Read more…
Burlupurr – large dillybag Burlupurr, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant which grows along the floor and into the canopy of monsoon Read more…
Bulnja I am a Ngkugkul woman from Shipton’s Flat, my mother’s Country. My dad was a Kaanju man from the Coen area. When I was about 14 years old I started painting bulnja (owls). I was still at school. I liked Read more…
Bulnja I am a Ngkugkul woman from Shipton’s Flat, my mother’s Country. My dad was a Kaanju man from the Coen area. When I was about 14 years old I started painting bulnja (owls). I was still at school. I liked Read more…
Kunjuri I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt. I started watching my grandfather paint when I was 12 years old. He taught me a lot about my culture, Read more…
Bulnja I am a Ngkugkul woman from Shipton’s Flat, my mother’s Country. My dad was a Kaanju man from the Coen area. When I was about 14 years old I started painting bulnja (owls). I was still at school. I liked Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…
Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr Read more…