Wangaba Roebourne Art Group
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Beauty of the Country interpenetrate the colors of this beautiful ngarluma ngurra
Wangaba Roebourne Art Group
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Stepping Stones The Ngarluma Ancestors walked the lands crossing rivers to find food and to camp. They used the stepping stones to cross parts of beautiful Ngarluma Country
Wangaba Roebourne Art Group
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Stepping Stones When the world was soft… when everything began… these are the stepping stones as the ancestors walked across the world… long time ago… before we was born… you know… when the world was being made.
Wangaba Roebourne Art Group
220382068585
Munni Munni Hills As I grew up my mum and dad would take me through country telling me stories of the hills that we call Munni Munni hills. We would walk near from where we lived just to tell stories Read more…
Maningrida Arts & Culture
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Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…
Maningrida Arts & Culture
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Namarrkon the Lightning Spirit Namarden or Namarrkon are Eastern Kunwinjku names for the Lightning Spirit. This entity, which is responsible for lightning and thunder, is painted on both stone and bark in a form described as ‘like a grasshopper’. Namarrkon Read more…
Maningrida Arts & Culture
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Galawon (Goanna) This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most Read more…
Maningrida Arts & Culture
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Galawon (Goanna) This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most Read more…
Maningrida Arts & Culture
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Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…