Bawinanga Aboriginal Corporation

Kundalk (Grasses) and Kunred (Country) – Woodblock

A beautiful indigo discharge dyed silk sari featuring woodblock designs created in 2023 during a special workshop with Tharangini Studio in Bangalore. This fabric features the following block designs:

Kunred (Country) by Janet Marawarr)

Kundalk (Grasses) by Deborah Wurrkidj 

Printed in India by Tharangini Studio – Bangalore. This is a limited edition cotton yardage created as a result of workshops in India in January 2023. As part of their visit to India to open their exhibition, Jarracharra (dry season wind), Janet Marawarr and Deborah Wurrkidj visited Tharangini Studio, Bangalore’s oldest heritage textile studio. Established in 1977, Tharangini is woman-owned and specialises in organic, sustainable woodblock printed textiles. Tharangini’s skilled artisans worked closely with Babbarra in 2022 to hand carve some of babbarra designs old, Lino cut designs into woodblock. This initiative was supported by Kinaway Chamber of Commerce, Victoria and Bawinanga Aboriginal Corporation.

‘I’m excited to see my Lino design made into woodblock. We are going to spend Saturday printing with Tharangini studio. We are going to learn woodblock printing. I’ve been working Bábbarra Women’s Centre for 37 years since it started. I’ve been printing Lino on fabric.’ Janet Marawarr 2023

‘Tomorrow we do printing Yawkyawk (mermaid spirit) and Ngalyod (rainbow serpent). My design is together with my sister. Together we started working at the Women’s Centre and Maningrida Arts and Culture, taught by our mother and grandmother. My sister is a sick one and she pass on her story to me – Ngalyod (rainbow serpent). I help my sister, I help carry the knowledge for her. That’s why we both have designs being made into woodblock.’ Deborah Wurrkidj 2022

Karrbarda, Ngalkordow and Kunred (Country) – Woodblock Sari

A beautiful indigo discharge print silk cotton Sari featuring woodblock designs created in 2023 during a workshop with Tharangini Studio in Bangalore. This fabric features the following block designs:

Karrbarda (Long Yam) by Deborah Wurrkidj

Kundalk (Grasses) by Deborah Wurrkidj

Kunred (Country) by Janet Marawarr)

Ngalkordow (Brolga) by Janet Marawarr

Printed in India by Tharangini Studio – Bangalore. This is a limited edition cotton yardage created as a result of workshops in India in January 2023. As part of their visit to India to open their exhibition, Jarracharra (dry season wind), Janet Marawarr and Deborah Wurrkidj visited Tharangini Studio, Bangalore’s oldest heritage textile studio. Established in 1977, Tharangini is woman-owned and specialises in organic, sustainable woodblock printed textiles. Tharangini’s skilled artisans worked closely with Babbarra in 2022 to hand carve some of babbarra designs old, Lino cut designs into woodblock. This initiative was supported by Kinaway Chamber of Commerce, Victoria and Bawinanga Aboriginal Corporation.

‘I’m excited to see my Lino design made into woodblock. We are going to spend Saturday printing with Tharangini studio. We are going to learn woodblock printing. I’ve been working Bábbarra Women’s Centre for 37 years since it started. I’ve been printing Lino on fabric.’ Janet Marawarr 2023

In conversation with reporter for Indian Link – Prutha Chakraborty, Janet Marawarr said:

‘I loved going to the village in the Sundarbans. I liked meeting the women and the little kids.

They were so excited to see us. They just started making things, they practicing [kantha]

stitch. We shared our Jarracharra book with them so they can see how we making our

designs.’

Rrugurrgurda (Mud Crab)

Rrugurrgurda (Mud Crab)

Morning Star

The ceremony known throughout Arnhem Land generically as Marradjiri is a ceremony of diplomacy given by one group to another to establish good relations and to strengthen kinship (for example by marriage) and economic ties (for example the sharing of clan estate resources).

The central object in the Marradjiri ceremony is a decorated polepainted with clan designs. The work on the pole is undertaken as part of the ceremony and is accompanied by the associated song series.

Often the ceremony commences when one group invites another and the people invited perform the Marradjiri. When a child finds their first bush food or object of value it is taken as a sign that the Marradjiri ceremony should be performed and an invitation is sent out sometimes in the form of a lock of hair from this child or in the form of some other token, sometimes encased in beeswax and wrapped in cloth. The token is delivered to the invited performers who then prepare to give the ceremony to their hosts at the residence of the host group.

Each evening before sunset the performance begins and continues for two or three hours. In the early stages of the ceremony the dancers perform with body clan designs which become progressively more elaborate as the time approaches the end of the ceremony. Usually this may take two or three weeks.

In the Marradjiri, the pole is said to represent a mast of a Makassan prau. There exists many loan words (over three hundred in total) in North Australian Aboriginal languages and one of these is the Makassan word for mast of a ship ‘palayarrang’ which has changed in some Maningrida languages to ‘bulayarrang’ and a few other variations.

It is possible that the name of this ceremony has its origins in the Makassan word for mast. The Marradjiri ceremony is influenced heavily by Makassan themes.

On the final night of the ceremony the pole appears out of the darkness on the edge of the camp decorated with feathered tassles and long ropes which represent the rigging of the prau. Dancers hold these ropes and move the pole back and forth in the fashion of a prau rolling in rough sea as depicted. The dancers bring the pole down and dance with it until it is finally presented to the host group with great ritual and the pole is set into the ground to the accompaniment of the head song man chanting through a long list of clan names associated with the travels of creation ancestors.

When the dancers part with the pole they break into mourning as they may have done at the end of each Makassan trepanging season when their Makassan visitors returned to Sulawesi on the new early dry season winds. The pole is then kept by the host group, often being hung from the roof of a dwelling. Text taken from Maningrida Arts and Culture

Mábbarla (Jelly Fish)

Mábbarla means Jelly Fish in Ndjébbana.

‘My homeland is Entrance island, Haulround island and Juda point. I really like Haulround island and that’s where we collect barruar (seagull egg). Entrance island is my favourite camping area, I go across with boat. Balanda (non-Aboriginal or European people) can’t go into those islands or Juda point without permission from me. We have a sacred totem ngaduma (palm tree) at those places and if people destroy it, we will have a strong wind and maybe a cyclone.’ Marilyn James 2021

Bush Flowers

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

Seagulls

Kunmadj and bush flower

Kunmadj is the Kuninjku term for large woven collecting baskets, known as dillybags.

They are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The baskets are used to collect a variety of heavy foods, such as fish caught in conical fish traps or a good harvest of yams. As well as being of practical use, dillybags are of cultural significance to Arnhem Land people. Dillybags are totemic objects and they are associated with particular sites in the landscape.

Kundalk (Grasses) and Kunred (Country) – Woodblock

A beautiful indigo discharge dyed silk sari featuring woodblock designs created in 2023 during a special workshop with Tharangini Studio in Bangalore. This fabric features the following block designs:

Kunred (Country) by Janet Marawarr)

Kundalk (Grasses) by Deborah Wurrkidj 

Printed in India by Tharangini Studio – Bangalore. This is a limited edition cotton yardage created as a result of workshops in India in January 2023. As part of their visit to India to open their exhibition, Jarracharra (dry season wind), Janet Marawarr and Deborah Wurrkidj visited Tharangini Studio, Bangalore’s oldest heritage textile studio. Established in 1977, Tharangini is woman-owned and specialises in organic, sustainable woodblock printed textiles. Tharangini’s skilled artisans worked closely with Babbarra in 2022 to hand carve some of babbarra designs old, Lino cut designs into woodblock. This initiative was supported by Kinaway Chamber of Commerce, Victoria and Bawinanga Aboriginal Corporation.

‘I’m excited to see my Lino design made into woodblock. We are going to spend Saturday printing with Tharangini studio. We are going to learn woodblock printing. I’ve been working Bábbarra Women’s Centre for 37 years since it started. I’ve been printing Lino on fabric.’ Janet Marawarr 2023

‘Tomorrow we do printing Yawkyawk (mermaid spirit) and Ngalyod (rainbow serpent). My design is together with my sister. Together we started working at the Women’s Centre and Maningrida Arts and Culture, taught by our mother and grandmother. My sister is a sick one and she pass on her story to me – Ngalyod (rainbow serpent). I help my sister, I help carry the knowledge for her. That’s why we both have designs being made into woodblock.’ Deborah Wurrkidj 2022