Bawinanga Aboriginal Corporation

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Crocodile

A collaborative piece – designed by Jacinta Lamilami and printed by Lucy Yarawanga depicting the story of a crocodile. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Ngalng – Janet Marawarr

Ngalng (fresh water yabby)

‘This is a story from Mankorlod. This is a djang story. This is the creation story about the fresh water yabby. Starting with the stone, that’s the raw one and the cooked one. The stone rock suddenly turned to ngalng, in a flash. Ngalng started growing and turned into a body. It’s a magic one and it can change from rock to ngalng to human and back to ngalng. Now it’s a ngalng. 

The country is near Mankorlod and Korlobididah. The ngalng is stuck there forever on the rock at Korlobididah,’ 

‘There is also duruk (camp dog) called ‘Djanbokkon’. This is a duruk that comes from water and no one has seen it. This is a true duruk, he goes everywhere in the country. His body is striped. He is a secret dog and he has a secret story.’ 

Janet Marawarr 2022

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Flowers

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Bah-je (hunting bag) 2007

Linda Gurawana is a Djinang speaker and she calls hunting bag or dilly bag bah-je.

This design was created in 2007.

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Bah-je (hunting bag) 2007

Linda Gurawana is a Djinang speaker and she calls hunting bag or dilly bag bah-je.

This design was created in 2007.

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Yokkarra (fish), Ngaduna (palm tree) & Barruar (Seagull egg)

‘Hi it’s me Marilyn! I’m the age of 52. I like working at the women centre and doing lino printing but I prefer screen printing. I have one design, that’s lorrkkon (hollow log). My great grandfather used to make lorrkkon and do bark paining. I never met him but I heard a lot of stories about him. My mother used to tell me history stories. When I was 16 my parents passed away. I’m was on my own but now I’ve got my own family and my partner who helps me. I’ve got 6 grandchildren.

My homeland is Entrance island, Haulround island and Juda point. I really like Haulround island and that’s where we collect barruar (seagull egg). Entrance island is my favourite camping area, I go across with boat. Balanda (non-Aboriginal or European people) can’t go into those islands or Juda point without permission from me.

Come and chat to me if you want to go to any of those places. We have a sacred totem ngaduma (palm tree) at those places and if people destroy it, we will have a strong wind and maybe a cyclone.’

Marilyn James 2021

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Gunbaya

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Kakarra (Flower)

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Dillybag

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Garriwa (Sea Turtle)

A detailed lino print design depicting a sea turtle surrounded by sea shells.

Elizabeth is from the Burrarra language group and her homeland is Gupanga, Arnhem Land.