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Rrugurrgurda (Mud Crab) This design tells the story of Elizabeth’s homeland – a dreaming place, a good dreaming place with plentiful mud crabs. Elizabeth’s homeland lies east of Maningrida, at the mouth of Blyth river. This country is known for a large spiritual mud crab, which lives in the area. Read more…

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Kunwardde dja Karrbarda (Rocks and Yam Vine) Susan Marawarr is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. In this design, she has depicted karrbarda (long yam) on her traditional country, the kunwardde (stone country). The large stones represent the Read more…

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Dedded Wongkorr This design depicts a ‘wongkorr’ sacred dilly bag woven with brightly coloured orange parrot feathers called ‘dedded’. It is depicted alongside a digging stick. Wongkorr are used in a number of public ceremonial contexts, and are sacred objects for the Bininj Kunwok speaking people of Western Arnhem Land. Read more…

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Ngalkordow (Brolga) and Kawk (heron) This drawing was made with fibre tipped texta and coloured pencil. One of the birds is Ngalkordow (on the left) the bird on the other side we call Kawk (rufus night heron).  Both birds live on fresh water country. The come in black, brown and white. Read more…

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Dakarra (cockle) – Helen Kaminski Dakarra is the Burrara Gun-nartpa word for a type of cockle shell with prominant scaled ribs and an orange colour. This is part of a diet of shellfish which has been enjoyed by people whose country lies on the saltwater estuaries at the opening of  rivers throughout Read more…

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Ngalng Ngalng (fresh water yabby) ‘This is a story from Mankorlod. This is a djang story. This is the creation story about the fresh water yabby. Starting with the stone, that’s the raw one and the cooked one. The stone rock suddenly turned to ngalng, in a flash. Ngalng started Read more…

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