Bawinanga Aboriginal Corporation

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Lorrkkon – Marilyn James

Marilyn’s first screen print design depicts the story of lorrkkon (hollow funeral logs). This the story of her great, great grandfather and grandmother who were bark painters, as well as also sacred lorrkkon painters.

When designing this screen print, Marilyn was remembering her childhood living in a small house on Liverpool river Ngar-wunja (Thompson hole) with other families.

Through the painting process, Marilyn remembered and relived the times when people still lived permanently on remote homelands, living off the land before balanda (non-indigenous people) arrived.

Marilyn recalls “it makes me think back, we did lots of things, some people was hunting, some was weaving, some was painting barks and lorrkkon. As my great, great grandfather and grandmother was painters, I painted this my story for them.”

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Lorrkkon – Marilyn James

Marilyn’s first screen print design depicts the story of lorrkkon (hollow funeral logs). This the story of her great, great grandfather and grandmother who were bark painters, as well as also sacred lorrkkon painters.

When designing this screen print, Marilyn was remembering her childhood living in a small house on Liverpool river Ngar-wunja (Thompson hole) with other families.

Through the painting process, Marilyn remembered and relived the times when people still lived permanently on remote homelands, living off the land before balanda (non-indigenous people) arrived.

Marilyn recalls “it makes me think back, we did lots of things, some people was hunting, some was weaving, some was painting barks and lorrkkon. As my great, great grandfather and grandmother was painters, I painted this my story for them.”

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Lorrkkon – Marilyn James

Marilyn’s first screen print design depicts the story of lorrkkon (hollow funeral logs). This the story of her great, great grandfather and grandmother who were bark painters, as well as also sacred lorrkkon painters.

When designing this screen print, Marilyn was remembering her childhood living in a small house on Liverpool river Ngar-wunja (Thompson hole) with other families.

Through the painting process, Marilyn remembered and relived the times when people still lived permanently on remote homelands, living off the land before balanda (non-indigenous people) arrived.

Marilyn recalls “it makes me think back, we did lots of things, some people was hunting, some was weaving, some was painting barks and lorrkkon. As my great, great grandfather and grandmother was painters, I painted this my story for them.”

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Lorrkkon – Marilyn James

Marilyn’s first screen print design depicts the story of lorrkkon (hollow funeral logs). This the story of her great, great grandfather and grandmother who were bark painters, as well as also sacred lorrkkon painters.

When designing this screen print, Marilyn was remembering her childhood living in a small house on Liverpool river Ngar-wunja (Thompson hole) with other families.

Through the painting process, Marilyn remembered and relived the times when people still lived permanently on remote homelands, living off the land before balanda (non-indigenous people) arrived.

Marilyn recalls “it makes me think back, we did lots of things, some people was hunting, some was weaving, some was painting barks and lorrkkon. As my great, great grandfather and grandmother was painters, I painted this my story for them.”

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Kunwardde dja Kunronj (Rocks and Billabong)

Abigail has depicted the waterholes or Kunwardde dja Kunronj (Sacred Rocks and Billabong) that lie on the plains near Mankorlod, the country for which she is a traditional owner.

The waterholes remain wet throughout the year, even during dry season. This site is connected to the artist’s djang (dreaming), the ngalng (freshwater yabbie) and stone country. Mankorlod homeland is a three-hour drive from Maningrida in the kunwardde (stone country).

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Kunwardde dja Kunronj (Rocks and Billabong)

Abigail has depicted the waterholes or Kunwardde dja Kunronj (Sacred Rocks and Billabong) that lie on the plains near Mankorlod, the country for which she is a traditional owner.

The waterholes remain wet throughout the year, even during dry season. This site is connected to the artist’s djang (dreaming), the ngalng (freshwater yabbie) and stone country. Mankorlod homeland is a three-hour drive from Maningrida in the kunwardde (stone country).

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Kunwardde dja Kunronj (Rocks and Billabong)

Abigail has depicted the waterholes or Kunwardde dja Kunronj (Sacred Rocks and Billabong) that lie on the plains near Mankorlod, the country for which she is a traditional owner.

The waterholes remain wet throughout the year, even during dry season. This site is connected to the artist’s djang (dreaming), the ngalng (freshwater yabbie) and stone country. Mankorlod homeland is a three-hour drive from Maningrida in the kunwardde (stone country).

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Kunwardde dja Kunronj (Rocks and Billabong)

Abigail has depicted the waterholes or Kunwardde dja Kunronj (Sacred Rocks and Billabong) that lie on the plains near Mankorlod, the country for which she is a traditional owner.

The waterholes remain wet throughout the year, even during dry season. This site is connected to the artist’s djang (dreaming), the ngalng (freshwater yabbie) and stone country. Mankorlod homeland is a three-hour drive from Maningrida in the kunwardde (stone country).

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“This river we call Mangabo. It is near Gudjarrngarrl homeland of my daughters, Deborah and Jennifer Wurrkidj. We cross that river when travelling to Munmoy outstation. In the wet season, that water comes up and covers over those rocks, and when you look down there are rocks all under the water.” 

– Helen Lanyinwanga

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Stingray – Debbie Pascoe

This is Debbie Pascoe’s first ever screen print design. Printed as a two colour design.

Debbie is from the Djinang language group in Maningrida, which according to the ABS Census has approximately 220 speakers.