Djilpin Arts Aboriginal Corporation

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our ridiculously talented pandanus artists are continuing to push their skills and techniques with these cute dragonflies a fine example of this. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our ridiculously talented pandanus artists are continuing to push their skills and techniques with these cute dragonflies a fine example of this. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our ridiculously talented pandanus artists are continuing to push their skills and techniques with these cute dragonflies a fine example of this. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our ridiculously talented pandanus artists are continuing to push their skills and techniques with these cute dragonflies a fine example of this. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Fish Trap

Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Hunting implements include the boomerang, woomera and spear. The woomera is a lever which helps to increase the speed and distance the spear travels. Clapsticks are used as percussion instruments by the Songmen to accompany dancing along with the didgeridoo (mago).

As well as the more functional carvings, artists portray animals and birds in wood, and these carvings are often painted. Ceremonial carvings include spirit creatures including mukuy (devil devils) and mimi.

Some fine mimi figures have been cast in bronze.

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Woven Bracelet

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Bracelet

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Bracelet

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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My Dreaming

This painting represents three of Harry’s dreaming, spider, bat and longneck turtle shown on four separate panels. Painting has been completed using a handmade grass reed brush called Jarlk. Jarlk has been harvested from billabongs and wet areas and shaped so that it can create the fine line work called Raark. Raark on all four panels is in Yirritja style and consists of multiple lines before alternating colour.

Spider Dreaming
Spider dreaming is complete with a round web, hiding among the leaves and flowers of a tree. Flowers are visible as individual dots.

Bat Dreaming
Bats are found in the same area as spider. They feast on the flowers and pollen, depicted as five dots surrounding a central dot. White gum leaves are also shown interspersed among the painting. 

Longneck Turtle Dreaming
“When we travel from my country to Garmody, it’s Yirritja area. You’ve got same songline. We always sing that song. This is the song for turtle.”

In this panel you can see two longneck turtle, hiding among the water lilies. Yam root is also visible. Dots in this panel represent mgunbi, or water.

 

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Dingo and Bats

This painting depicts a dreaming of Mantjorr (bats) and Gukki (dingo) hiding in a nearby cave.

Translated from Kunarbingu:

“They are in my song line. This is my Dads and my dreaming and songline. Dingo he can smell the spirits. We call him gukki. You can’t go into that cave.”

When the dingo howls he takes people. Old people go to sing their song and dingo gives them back.

Painting has been completed using a handmade grass reed brush called Jarlk. Harvested from local billabongs and wet areas this is shaped to create the fine line work called Raark. Raark is in Yirritja style and consists of multiple lines before alternating colour. Modern acrylic paint has been used.