Jeffrey paints his favourite birds that live in the country around Ernabella. These include the kuparu (magpie), partilpa (Port Lincoln ringed neck parrot), kayarkiyarpa (galah), tjintir-tjintirpa (willy wag-tail), piil-piilpa (yellow throated minor) and kuurkuurpa (owls).
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Alison is a quiet observer. She often walks gently around the community with her daughter on her shoulders looking at nature. Something she has been paying attention to is the movement of light on the trees. ‘I see the colour on the tree and I see it is always changing. When the sun is going down, colour is moving all over the tree’. Her paintings are inspired by the light catching the shifts and wandering lines of the bark.
Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.
Yurpiya is painting a place called Anumara, which is a place near Irrunytju (Wingellina) in WA. This is Yurpiya’s family’s country. Anumara is also the name for a kind of caterpillar and Anumara is the tjukurpa (dreaming) place for this caterpillar. This caterpillar lives in the grass and can be eaten if the grass it eats is removed. The place shares the same colours of the caterpillar – brown, yellow and pale green. Keeping this place safe will ensure that the caterpillars multiply.
Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.
Travelling around getting bush tucker near my home. From when I was a tjitji (child) collecting mai (food). Travelling from home, not today but a long time ago. I would go with my family, friends, with tjitji tjuta (many children).
Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings:
I am painting the landscape from above, as you might see it from an airplane or as a bird looking down. It is beautiful country both from on the ground and up above.
In Michelle’s work she creates how the tjala (honey ants) tunnel though the sandy soil. She also depicts the small groupings of intergenerational women and children sitting together and digging for the tjala. The earth is shown as soft because it’s been raining.
Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Aṉangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Aṉangu mythology and inter-dependence on the environment.
For the Pitjantjatjara people living in the desert, knowledge of their water sources was critical to their survival. This resulted in an intimate understanding of the landscape which continues today. Water is an essential element in the desert. These rock holes were particularly important during the dry season when most of the water holes and creeks dried up. Deep familiarity with the topography of their country and the way rain would interact with the land ensured constant sources of water could be found. Knowledge of rock hole sites is passed on from generation to generation and revered by all Anangu (people).
Tjukula means rock-holes, which are found with surprising frequency in the Musgrave Ranges and country around Ernabella. Between visits, Anangu would use a construction of rocks and spinifex to guard these important water sources from spoilage by feral and stock animals such as cattle, camels, horses and donkeys.
This Tjukurpa is from a place called Walytjata near Pipalyatjara. It’s a true story. You can see all the kids sitting there in the cave. The mother left and told the kids to stay there, but she never came back. It’s a sad story. The older brother, he was looking after everyone. He would go out hunting for malu (kangaroo), kalaya (emu) and bring back the kuka (meat) for all the kids.
This is a story of a woman named Maalila travelling south to west. She stopped near Kanpi area to look for a place to stay, her ngura (country). She was digging a hole to hide, she was scared of the wati (men). Maalila was with her daughter, they all lived in the underground cave hiding. They went out to gather bush food to take back to the cave. They dig for rabbits, kuka (meat) and they take kuka and mai (food) and they save for later in the cave. They have something to eat.
Story told by Teresa Baker