Mili I am a Jalanji saltwater woman. Jalanji people have lots of stories about the reef. My painting’s story is about Mili (stinging jellyfish) stirring out on the reef. We were taught at a young age to watch out because these mili sting and can be very dangerous. There are Read more…
Status: Stock Peach Design Purple Emu Design description goes here Regular fitCrew neckMid weight, 180gsm100% combed organic cottonQuality cotton grown without the use of herbicides or pesticides – GOTS (Global Organic Textile Standard) certified
Status: Stock Emu Design Peach Emu Design wefwerwet r Regular fitCrew neckMid weight, 180gsm100% combed organic cottonQuality cotton grown without the use of herbicides or pesticides – GOTS (Global Organic Textile Standard) certified
Love Birds Anne Nunn is Nyungul woman. Her paintings depict cultural, historic and contemporary stories from her Country, the Helensvale and Shipton’s Flat area in Far North Queensland. “My painting depicts the plants and animals that live and grow around my bubu (country). I love going out bush and am Read more…
Kunjuri, shield I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt. I started watching my grandfather paint when I was 12 years old. He taught me a lot about my culture, and this is why I am interested in Read more…
My Grandfather’s Country – Kulyakartu Kulyakartu is a large area in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Kulyakartu is mostly flat grass Country, and is known as a good hunting area. In particular, parnajarrpa (goanna), wild cats, and Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…