Status: Stock Jila Jila Dianne Marney is a First Nations Artist, a proud Manyjilyjarra woman, currently residing on Martu Country (Western Australia). When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different Read more…
Untitled How did you get to this style of painting? “Do you mean, what have I done with my life? (chuckles to herself) To me these paintings are a sense of energy. So if I see someone and they’re happy, I paint a happy vibe. Cos their spirit is happy. Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Country itself. Collectively Read more…
Yalta “This is my grandmother’s and mother’s Country, Yalta. It’s very close to Kunawarritji side. I’ve never been there. That was where my mother was born during the pujiman (traditional, desert dwelling) times. All the tali (sandhills) around. I want to go there one day, to see that Country, I Read more…
Wantili “Wantili (Warntili, Canning Stock Route Well 25) area, close to Parnngurr. My ngurra (home Country, camp), my jamu’s (grandfather’s) Country, my father’s daddy, Jakayu [Biljabu’s] daddy and my daddy’s Country. Jakayu been bury her father there. In pujiman (traditional, desert dwelling) days, my family and Jakayu’s family been walking Read more…
Yalta “This is my grandmother’s and mother’s Country, Yalta. It’s very close to Kunawarritji side. I’ve never been there. That was where my mother was born during the pujiman (traditional, desert dwelling) times. All the tali (sandhills) around. I want to go there one day, to see that Country, I Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Jartijiti Kapi ‘Jartijiti’ is how Martu people pronounce ‘33’, the colloquial name for the Kunawarritji community where Bugai lives and paints. Kunawarritji is an important site in the Great Sandy Desert where multiple stories and histories intersect. Originally an important spring kapi (water), at the turn of the 20th century Read more…
Two snakes travelling This painting depicts 2 snakes travelling across Yiritijanu and Punmu Hill in the artists country. This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural Read more…