Kalurru Kalurru is a large spring located in Karlamilyi National Park. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. At this time knowledge Read more…
Claypans This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Wantili (Warntili, Canning Stock Route Well 25) “That’s my jamu (grandfather) and nanna’s Country. I always go on a ranger trip there with my mum, Thelma Judson, and my little baby brothers, Junior and Jamie Rowlands.” – Lynette Rowlands Wantili (Warntili, Canning Stock Route Well 25) is a large round jurnu (soak) Read more…
Mungili “No one goes there and sees that landscape. Only two, Mr and Mrs [refers to footsteps in painting]. They was walking to see if the water was in there. Walking on the creek sand, they see the colours and walk down to the water hole and dig where the Read more…