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Bush Tucker Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…

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Nyurnma Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic fire scars are Read more…

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Kumpupirntily (Kumpupintily, Lake Disappointment) “Kumpupirntily (Kumpupintily, Lake Disappointment), that’s Ngayurnangalku (ancestral cannibal beings) camping ground. When you go up here to the station where I was born, all the cannibals were coming across through there. We were mustering cattle there and all these stones were round like a damper. My Read more…

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Mirtikanya (Mujupunkanu, Watchpoint Hill) “This one here is Watchpoint Hill near to Jigalong, with all the sandhills and the walyji (white gums). We got warla (lakes) there too. Jigalong is where I grew up.”  – Helen Dale Simpson Mirtikanya is a hill and claypan close to Balfour Downs Station and north Read more…

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Ngurra Wild Flowers This is Miriam’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories Read more…

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