Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “I was learning about painting from school and from watching Bamba’s [Corban Clause Williams] mob painting. Bamba is my little brother. I like a painting about Country, painting my grandfather’s Country- Kaalpa (Kalypa, Canning Stock Route Well 23). I also like to go hunting with my family.” – Robina Clause Robina is part Read more…
Kunawarritji Rockholes “These are the rockholes around Kunawarritji (Canning Stock Route Well 33). My mum [Jugarda Dulcie Gibbs] painted the same. It’s my father’s Country; he was born at Well 33. I’m painting Well 35, Kinyu, all the way to Well 38, Wajaparni. This is a big place for us. Read more…
Wantili “My ngurra (home Country), Wantili area. [Points to linear forms] Sandhill, sandhill, sandhill everywhere. Claypan there, in the middle. Good place for swimming and drinking, for hunting little kangaroo. When no water [we would] go to Well, when there rain we stay there at Wantili. Everywhere, we been walking everywhere. Near to Wantili [there’s a] road going Kayili (North). Read more…
Untitled This is Dale’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled Montana is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific locations, family histories, traditional ways of life, and Jukurrpa (Dreaming). In this Read more…
Kulyakartu Spinifex country “Long time ago I been there. It is my grandmother’s, grandfather’s, father’s, [and] mother’s country, Kulyakartu. I am painting this particular place. It keeps me connected, [gives me a] sense of belonging [to] tell my grandmother’s story through my art. Where she was born, I’m a part of Read more…
Karlkula (Bush Banana) Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting Read more…