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Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water.  During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…

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Untitled This is Dale’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

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Kintyre “We are Warnman ladies, painting Kintyre and Karlamilyi (Rudall River region). We can share this Country. [Kintyre] belongs to Pulikati [Hill], ngurra (home Country, camp) for my sister and all the Warnman families. My fathers and brothers and husbands, my sister they was there, 200 peoples was there [in Read more…

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