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Yalke [ Bush Onion] Maggie Corby

Maggie explains about her childhood, learning from her mother and grandmothers about collecting, cooking and eating Yalke, also called Bush Onion in the desert country west of Haasts Bluff Mission Station. ‘We are cooking fire in the bush – we are getting wire and billy can to collect. We find Yalke long time in the sand, biggest mob, rub him in our fingers to get skin off, like onion, fill our billy can, cook him up in the sand. He’s little one [indicates about an inch with fingers]. Old people, long time, we been learn. Dreamtime. Sometimes we cook him with rice… tea time.’

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Wardapi Jukurrpa

‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs out other one. Need to hunt him together. Find all the holes. Dig them at the same time. Someone going to get him that way.’

The Wardapi Jukurrpa [Varanus Gouldii Goanna] belongs to the Spencer Sisters. It comes from Yarripilangku [aka Yinyiripalangu], south-west of Yuendumu. A group of Warlpiri Karnta [women] are sitting down in a circle when a Japangardi Wati [man] from Puturlu [Mt Theo], called Wamaru came upon them. He wants to take one of them, named Yurlkurinyi, of Nungarrayi skin, which is the wrong skin for him. He takes the Nungarrayi woman up a hill, where they make love. In response, the earth on top of the hill turns to Ngunjungunju [white ochre], and yellow and red ochre. The yellow is for Karnta and the red for Wati. The ochre is used by Warlpiri people for love magic and ceremonial decoration. The Wati turns all the Karnta and himself into Wardapi, aka Varanus Gouldii goannas. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi /Jungarrayi subsections, and the Japanangka/Napanangka, Japangardi/Napangardi subsections of Puturlu. The women are often represented by ‘U’ shapes. Concentric circles may illustrate Wardapi holes, or their droppings left behind them, and Wardapi tracks are usually represented by ‘W’ shapes and wavy lines.

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Watiyawarnu

Women collecting Watiyawarnu (Acacia tenuissima). Back at camp after collecting the seeds they make large windbreaks for shelter and winnow the seed in the late afternoon. Immature watiyawarnu seed is ground into a paste and can be used to treat upset stomachs. There is an important ceremony for this Tjukurrpa. 

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Two houses in Hermannsburg

‘Two houses in Hermannsburg, family houses at Sandhill Camp. That’s like our family area at Hermannsburg. The families are sitting down outside watching tourist cars coming to Alice Springs.’

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Watiyawarnu (Isobelle Spencer)

Women collecting Watiyawarnu (Acacia tenuissima). Back at camp after collecting the seeds they make large windbreaks for shelter and winnow the seed in the late afternoon. Immature watiyawarnu seed is ground into a paste and can be used to treat upset stomachs. There is an important ceremony for this Tjukurrpa. 

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Wardapi Jukurrpa

‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs out other one. Need to hunt him together. Find all the holes. Dig them at the same time. Someone going to get him that way.’

The Wardapi Jukurrpa [Varanus Gouldii Goanna] belongs to the Spencer Sisters. It comes from Yarripilangku [aka Yinyiripalangu], south-west of Yuendumu. A group of Warlpiri Karnta [women] are sitting down in a circle when a Japangardi Wati [man] from Puturlu [Mt Theo], called Wamaru came upon them. He wants to take one of them, named Yurlkurinyi, of Nungarrayi skin, which is the wrong skin for him. He takes the Nungarrayi woman up a hill, where they make love. In response, the earth on top of the hill turns to Ngunjungunju [white ochre], and yellow and red ochre. The yellow is for Karnta and the red for Wati. The ochre is used by Warlpiri people for love magic and ceremonial decoration. The Wati turns all the Karnta and himself into Wardapi, aka Varanus Gouldii goannas. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi /Jungarrayi subsections, and the Japanangka/Napanangka, Japangardi/Napangardi subsections of Puturlu. The women are often represented by ‘U’ shapes. Concentric circles may illustrate Wardapi holes, or their droppings left behind them, and Wardapi tracks are usually represented by ‘W’ shapes and wavy lines.

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Women Digging for Honey Ants

Women planning their dig for Honey Ants. Honey Ants hang from the ceiling of chambers their family dig out of the earth. The tunnels into the chambers are long and complex. That means the Honey Ants have to be tracked, and then the women use informed guesswork based on experience to decide where to dig. The process can take hours of very hard work, but the ladies are always completely rewarded when they find those delicious ants whose abdomens are full of sweet honey. 

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Wardapi Jukurrpa

‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs out other one. Need to hunt him together. Find all the holes. Dig them at the same time. Someone going to get him that way.’

The Wardapi Jukurrpa [Varanus Gouldii Goanna] belongs to the Spencer Sisters. It comes from Yarripilangku [aka Yinyiripalangu], south-west of Yuendumu. A group of Warlpiri Karnta [women] are sitting down in a circle when a Japangardi Wati [man] from Puturlu [Mt Theo], called Wamaru came upon them. He wants to take one of them, named Yurlkurinyi, of Nungarrayi skin, which is the wrong skin for him. He takes the Nungarrayi woman up a hill, where they make love. In response, the earth on top of the hill turns to Ngunjungunju [white ochre], and yellow and red ochre. The yellow is for Karnta and the red for Wati. The ochre is used by Warlpiri people for love magic and ceremonial decoration. The Wati turns all the Karnta and himself into Wardapi, aka Varanus Gouldii goannas. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi /Jungarrayi subsections, and the Japanangka/Napanangka, Japangardi/Napangardi subsections of Puturlu. The women are often represented by ‘U’ shapes. Concentric circles may illustrate Wardapi holes, or their droppings left behind them, and Wardapi tracks are usually represented by ‘W’ shapes and wavy lines.

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Women Digging for Honey Ants

Women planning their dig for Honey Ants. Honey Ants hang from the ceiling of chambers their family dig out of the earth. The tunnels into the chambers are long and complex. That means the Honey Ants have to be tracked, and then the women use informed guesswork based on experience to decide where to dig. The process can take hours of very hard work, but the ladies are always completely rewarded when they find those delicious ants whose abdomens are full of sweet honey.