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Mimih and Modjarrkki

‘This is a true story. My great great grandfather and my father told this story and I tell it to my children. It’s about a freshwater crocodile called Modjarrkki. One day an unmarried man who was camping with his brother and his brothers wife went walking by himself. He came to a creek where he found a crocodile. He went back to camp and said to his brother ‘hey I found a croc, lets go kill it!’. He tried to kill the crocodile but the crocodile bit his brother. He bit his guts, his hand, his legs and he died. Modjarrkki was an angry crocodile but today Modjarkki doesn’t bite people, he’s only a little crocodile and he eats barramundi. He is still alive and he lives in rock country, Karrabarda, which is in Gorlobidahdah.’ Jay Rostron Jurrupula

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Waterlily and Mermaid

A beautiful hand printed design by Jay Jurrupula. ‘The mermaid design, that was my daughter design, Cindy Rostron, my daughter was helping me to make this.. she’s the djungkay for this mermaid design..’ Jay Rostron 2021

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Bawáliba (Stone Country Mimih)

‘Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair.

In olden times, long long long time ago Bawáliba were here, before people were on the land. Bawáliba used to go out hunting and care for country. They hunt carrying fish traps and digging sticks, near the homeland Djinkarr. They go out hunting on the floodplains with dilly bags and digging sticks. They collect a lot of bush foods, and sleep together with one bark shelter.
Sometimes now they still come alive when we sleep, they might come to our houses and peep through the window. At night, they cover themselves with white clay and red cloth tied around their waist. If we hear them, we jump out of bed and get up to look -but they have disappeared, they’re just too quick. Bawáliba might knock on the window to remind us they are there looking out for us.If you listen deeply you can hear them whisper, sometimes they talk about us and might say, ‘why are those people making camp here?’ then they realise ‘Oh they are family from here, it’s ok, they are just sleeping here for the night’.

During the day they always turn into stone and they sleep. We still know that green rock covered in moss near Djinkarr, that’s Bawáliba sleeping.
Some of my ancestors used to speak the same language as the Bawaliba, but all those old people are passed away now. It’s a little bit sad for us, because no one now can speak that Bawaliba language anymore.’ Lucy Yarawanga 2019

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Modjarrkki

Modjarrkki (crocodile story) ‘This is a true story. My great great grandfather and my father told this story and I tell it to my children. It’s about a freshwater crocodile called Modjarrkki. One day an unmarried man who was camping with his brother and his brothers wife went walking by himself. He came to a creek where he found a crocodile. He went back to camp and said to his brother ‘hey I found a croc, lets go kill it!’. He tried to kill the crocodile but the crocodile bit his brother. He bit his guts, his hand, his legs and he died. Modjarrkki was an angry crocodile but today Modjarkki doesn’t bite people, he’s only a little crocodile and he eats barramundi. He is still alive and he lives in rock country, Karrabarda, which is in Gorlobidahdah.’ Jay Rostron Jurrupula

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Kunmadj

Kunmadj is the Kuninjku term for large woven collecting baskets, known as dillybags.

They are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The baskets are used to collect a variety of heavy foods, such as fish caught in conical fish traps or a good harvest of yams. As well as being of practical use, dillybags are of cultural significance to Arnhem Land people. Dillybags are totemic objects and they are associated with particular sites in the landscape.

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Lorrkkon

Lorrkkon (hollow log) A beautiful hand printed Lino design by Joy Garlbin. White and pink on black cotton.

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Au – gujechiya and Barramundi

A detailed linocut design portraying a large Au – gujechiya (fishtrap) with fish inside. This is a one colour print on a red base cloth.

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Barramundi & Fishtrap

Elizabeth is well known for her design the “’Mud Crab” Rrugurrgurda, which relates to the ancestral story of large mud crabs in the mangrove near her family homeland on Blyth River. Elizabeth artistic talent comes from her mother who is an artist for the iconic Desert Designs label. Elizabeth designed and sewed outfits for the 2018 Commonwealth Games. This is Elizabeth’s first linocut design depicting fish and a fish trap. She has a natural talent for print design and took the care to make her line tile an interlocking repeat design. Elizabeth has printed dark brown on teal cotton.

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Fishtrap and Barramundi

Elizabeth is well known for her design “’Mud Crab” Rrugurrgurda, which relates to the ancestral story of large mud crabs in the mangrove near her family homeland on Blyth River. Elizabeth artistic talent comes from her mother who is an artist for the iconic Desert Designs label. Elizabeth designed and sewed outfits for the 2018 Commonwealth Games. This is Elizabeth’s first linocut design depicting fish and a fish trap. She has a natural talent for print design and took the care to make her line tile an interlocking repeat design. Elizabeth has printed dark purple and blue on a chartreuse/lime green fabric. She has a natural flair for creating edgy colour combinations.

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Fishtrap and Barramundi

Elizabeth is well known for her design “’Mud Crab” Rrugurrgurda, which relates to the ancestral story of large mud crabs in the mangrove near her family homeland on Blyth River. Elizabeth artistic talent comes from her mother who is an artist for the iconic Desert Designs label. Elizabeth designed and sewed outfits for the 2018 Commonwealth Games. This is Elizabeth’s first linocut design depicting fish and a fish trap. She has a natural talent for print design and took the care to make her line tile an interlocking repeat design. Elizabeth has printed galah pink on buttercup yellow. She has a natural flair for creating edgy colour combinations.