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Nyurnma

Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic fire scars are left on the Country, and patches of regeneration form a kind of mosaic pattern across the land. This is called nyurnma – burnt Country.  Waru is typically burnt in small, controlled areas, leaving a defined patchwork pattern of nyurnma in the land, across tali (sand hills), linyji (clay pans), parulyukurru (spinifex country) and pila (sandy plains). This patterning is clearly visible in Martumili Artists works, where they paint Country from an aerial perspective.

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Untitled

This work portrays an area known intimately to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of warta (trees, vegetation) were carefully observed and remembered. Today, this relationship with Country remains equally strong, despite the movement of Martu out of the desert and into remote Aboriginal communities, towns and cities.

Also visible may be traces of life cycles based around kalyu (rain, water) and waru (fire). A thousands of year old practice, fire burning continues to be carried out as both an aid for hunting and a means of land management today. As the Martu travelled and hunted they would burn tracts of land, ensuring plant and animal biodiversity and reducing the risk of unmanageable, spontaneous bush fires. The patchwork nature of regrowth is visible in many landscape works, with each of the five distinctive phases of fire burning visually described with respect to the cycle of burning and regrowth.  

Finally, metaphysical information relating to a location may also be recorded; Jukurrpa (Dreaming) narratives chronicle the creation of physical landmarks, and can be referenced through depictions of ceremonial sites, songlines, and markers left in the land. 

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Mungili Rockholes

“Mungili rock hole, big rock hole, big country. I never see that place. My mother born, her and grandmother walk through there, they tell me story. Mother born there in the Country Mungili, walking through the bush. There is a camping spot, camping in bush – bush, bush, bush [points at painting] this is the lake Country and goes through there.” – Matthew Mintern Smith Mungilli is a small outstation community located just off the Eagle Highway in Western Australia, approximately 430 kilometres north east of Wiluna and 250 kilometres north of Warburton. Matthew grew up near Mungilli, and as such it forms a significant part of his ‘ngurra’ (home Country, camp).This work depicts a rock hole within Matthew’s ngurra (home Country, camp), typically Matthew depicts this site with a central large circular form, surrounded by satellite circles for water bodies. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

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Punmu

“This area here is our Country. It’s our Country right here. We returned to our Country with a Toyota and a grader that made the road. A grader right up to here. Punmu is a good place. It’s a happy place to live. My spirit feels good living here. In pujiman (traditional, desert dwelling) time we lived in this area now. I’m happy with this life now, happy because I feel grounded by my Country. It’s important to hold onto the legacy of the ancestors. It’s up to the young people to carry it on now. For the ancestors past and present.”

– Minyawe Miller as translated by Kanyirninpa Jukurrpa

 

Punmu refers to a region and an Aboriginal community within its vicinity, located 670km North-East of Newman. Created during the return to Country movement of the 1980s, with the recognition of Martu land rights and native title, the community was named after a nearby Jukurrpa (Dreaming) story.

Punmu Aboriginal community sits on the edge of a large salt lake known as Nyayartakujarra, or Lake Dora. The lake runs south into Karlamilyi River (Rudall River). Surrounding Punmu are numerous fresh water soaks and the red tali (sandhills) typical of the area. The most frequently visited yinta (permanent springs) around Punmu include Wirlarra, Rawa, Yilyara, Jila-jila and Tuu-tuu.

The Country around Punmu features in several Jukurrpa stories. Of particular importance is the story of the Jila Kujarra (Two Snakes), one of the key Jukurrpa narratives for the Martu. Though the story belongs to Warnman people, it is shared across the Western Desert with several other language groups. The narrative centres on the travels of two snakes as they are pursued by the Niminjarra, spiritual ancestors of the Warnman people. 

Before transforming themselves into snakes, the Jila Kujarra were young brothers. As snakes, they began travelling home to their mother, but were intercepted by the Niminjarra, who tracked the Jila Kujarra to Paji, east of Nyayartakujarra (Lake Dora). Though the Jila Kujarra eluded their pursuers here by escaping under the lake at Paji, they were soon after speared and injured by two Pukurti (initiates with bundled hair) at Nyayartakujarra, who returned with the Niminjarra to cook the snakes at the site of Kumpupirntily (Kumpupintily, Lake Disappointment). As the Niminjarra cut down the length of the Jila Kujarra, the snake’s bladders were pierced, causing an explosion of scalding hot urine in which the Niminjarra all perished and became black rocks at the site. The spirits of the Jila Kujarra returned to their mother at Nyayartakujarra, where the mother and her sons entered the ground below Nyayartakujarra and remain to this day.

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Tuwa in Puntawarri

“I do tuwa (sandhill) in my own style because that’s our Country. That’s a sandhill, that’s the Dreaming- the Jukurrpa. That’s our culture.

They stay there and we go through the sandhills at Puntawarri in the car. We go first tuwa, then the second tuwa, looking for the waterholes. Go up, up, up- ‘nother tuwa, ‘nother tuwa.

Long time [ago] in Puntawarri, when I was a little girl [with] my Nana and Pop [Dadda Samson and Yanjimi Peter Rowlands] we went climbing up the sandhill. And when I went up my Nana and Pop were at the bottom under a tree and I came down running then rolling, rolling right down to the ground! But I was ok- he right!”

– Judith Anya Samson

Puntawarri is an important cultural area located on the middle stretches of the Canning Stock Route and east of the Jigalong Mission (now Jigalong Aboriginal community), where Anya grew up and continues to live with her grandmother and renowned Martumili Artist, Dadda Samson. Puntawarri is also the site of an abandoned community, a waterhole, creek and lake. Puntawarri’s close proximity to Jigalong Mission made it a popular site for Martu to visit during the ‘mission days’.

While growing up at Jigalong Mission in the 1960’s, Dadda would return to Puntawarri every weekend to hunt and camp. Dadda has been teaching Anya to paint for a number of years, sharing the knowledge and Jukurrpa (Dreaming) stories associated with her ngurra (home Country, camp). 

For many Martu, like Anya and her family, Jigalong Mission was the site where their pujiman (traditional, desert dwelling) lifestyle came to an end from the late 1940s as they transitioned to a life as stockmen and women working in cattle stations in the Pilbara region and beyond. In the wake of the extreme and prolonged drought of the 1960s, the last of the remaining pujimanpa (desert dwellers) were forced to move to missions like Jigalong, where a supply of food and water was assured. There, many Martu were reunited with family members that had already moved in from the desert.

The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tali, or tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, and yet these lands and the location of resources within them was known intimately by its pujiman (traditional, desert dwelling) inhabitants.

 

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Bush Tucker

Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Whilst desert life has moved away from mobile hunter-gatherer subsistence throughout the course of the twentieth century, bush tucker continues to be a significant component of the modern Martu diet. Hunting and gathering bush tucker remains equally valuable as an important cultural practice that is passed on intergenerationally. Though hunting and gathering implements have been modernised, methods of harvesting, tracking and the use of fire burning to drive animals from their retreats are still commonly practiced today. 

Typically, animals hunted for their kuwiyi (meat) include kirti-kirti (euro kangaroo) and marlu (plains kangaroo), parnajarrpa (sand goanna), kipara (Australian bustard, bush turkey) and karlaya (emu). Lunki (witchetty grub) and wuukurta (honey ants) are dug from tree and bush trunks, or from underground nests. Popular mayi (plant food) includes minyarra (bush onion), collected from small, grass like plants; root vegetables dug from underground such as kulyu and mata (types of bush potato); and seeds such as kalaru (samphire, salt bush), yuwinyji, and marnkalpa (spinifex species). Jawirli (quondong), wamurla (bush tomatoes), jinyjiwirrily (wild gooseberry), ngaputa (melon), and karlkula (bush banana) are some of the most popular bush fruits. These are often collected in the wantajarra (cool season) and tuulpara (spring) months, along with juri (sweet) botanical gums and wama (nectar), obtained from various plant species. 

Traditional tools used for hunting and gathering bush tucker were carved from wanari (mulga), mulunturu (desert oak), yurungkura (river red gum) and mijarrpa (bloodwoods), and included kurlata (spears), jurna (hitting stick), karli (boomerangs), wana (digging-sticks), piti (timber bowls used for carrying food and water), and jiwa (grinding stones for grinding seeds into flour). While carved objects retain enormous social and ceremonial importance in Martu life, they are no longer used for hunting and gathering.

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Kumpupirntily (Kumpupintily, Lake Disappointment)

“Clouds here. It’s dry, no water, but still flowers grow.” 

 – Helen Dale Samson

Kumpupirntily (Kumpupintily, Lake Disappointment) is a stark, flat and unforgiving expanse of blinding salt lake surrounded by sand hills, located in the Little Sandy and Gibson Desert of Western Australia. Kumpupirntily translates to ‘bladder burst’; the lake was formed when the bladder of the Jila Kujarra (Two Snakes) burst here. Jila Kujarra is one of the key Jukurrpa (Dreaming) narratives for the Martu. Though the story belongs to Warnman people, it is shared across the Western Desert with several other language groups. The narrative centres on the travels of two snakes as they are pursued by the Niminjarra, spiritual ancestors of the Warnman people. 

Later in the Jukurrpa period the Ngayurnangalku (cannibal beings) made Kumpupirntily their home, where they continue to remain today. For this reason Kumpupirntily is considered one of the most sacred and dangerous sites of the Western Desert. The Ngayurnangalku are fearsome ancestral cannibal beings said to resemble people in their appearance, except for their fangs and long, curved, knife like fingernails they use to catch and hold their human victims. Coming from Natawalu (Canning Stock Route Well 40) in the north, Mundiwinti (Mundawindi) in the west, and from the Country around Kiwirrkurra in the east, the Ngayurnangalku travelled across the desert, stopping near Puntawarri, at Jilukurru (Killagurra Springs, Canning Stock Route Well 17) and at Kupayura (Savory Creek) before finally reaching Kumpupirntily.

At Kumpupirntily, the Ngayurnangalku had a meeting to debate whether or not they would continue to live as cannibals, and eventually came to the decision to stop eating people. That night, a female baby cannibal was born. Following protocol, the baby also had to be consulted by the group. She determined that the Ngayurnangalku should continue to eat people. Her decision divided the group, and from this point the group from the east continued to live as ‘bad’ cannibals at Kumpupirntily, while the group from the west became ‘good’, thereafter consuming only animals. 

The cannibal Ngayurnangalku still live beneath the crust of Kumpupirntily lake in an underground world lit by their own sun. They surface only to feed on human flesh, coming in and out of the world we see through a small hill that acts as a gateway between worlds; Yapu Maparnpa (magical hill). Stored with the Ngayurnangalku in their underground world is an arsenal of maparnpa (holding power for sorcery) weapons, as well as deposits of pujurrpa (red ochre) that the Ngayurnangalku use to paint themselves with when they dance.

Several phenomena at Kumpupirntily act as a warning of the imminent appearance of the Ngayurnangalku; still skies, wilany (boomerang-shaped clouds), and the emergence of the parla-parla (type of lizard), smacking their mouths. The vigilance of the Martu as they travel in the Country around Kumpupirntily is so great that several other precautions are followed; fires are not lit, planes and helicopters are not flown directly over the area, and digging in the lake is strongly discouraged. All of these activities are believed to disturb the Ngayurnangalku, causing them to rise from their underground world. 

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Waterholes

This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle.

During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

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Parnngurr Rockhole (Cotton Creek)

“Bugai [Whyoulter] told us to go back towards Parnngurr [with the intention of going into Jigalong mission], and we all went together along the track towards Parnngurr. In the afternoon we were going along, getting water for ourselves and walked over a sandhill. On the other side of the sandhill were a lot of vehicles: there was a bulldozer in front, then a grader and then several Land Rovers. We dropped everything and started to run. Old Man Biljabu [Jakayu’s husband] stopped and got ready to kill the whitefellas with his maparn [invisible power]. The whitefellas were waving in a friendly way and we all called out to Old Man Biljabu, “Stop! Stop! Don’t do it!” Jakayu and her husband started to walk towards the whitefellas. Everyone else followed behind them, starting to walk slowly.

We went and met the whitefellas and started talking to them, but they couldn’t understand us… The whitefella told us to go back to our camp and he would come and bring us food. After a time, he came and gave us a whole sheep, and some flour, sugar, bread and fruit. We threw the sheep away [for fear it might be poisoned] and left all the other food except for the sugar. We didn’t boil the sugar in the water with the tea, we just stirred it into warm water and drank it, like we did with bush tucker [edible botanical gum]. We used some of the flour to make a wet dough and drizzle it onto the ashes, the way we cooked seed damper. We didn’t finish eating the food – we just got up and went to Wiirnukurrujunu for pencil yams. We saw other Martu family groups pass by on the far side.

[Later, ] the whitefella followed us and found us where we were asleep… He went back to the mission to get Martu people who could translate. He went back to Jigalong and told Bob Ward, an old man, Sam Kelly’s father. He and Mr. Ward tracked us all the way to Yulpu and got there in the afternoon.

That day, everyone had gone hunting, and when we came back to our camp, there were four or five Land Rovers there. Mum had gone hunting early in the morning, carrying water with her. All us kids had gone west from Yulpu, and we had got one big goanna between all of us. When we came back in the afternoon, we saw that the whitefellas were in our camp, waiting for us. Us kids walked over slowly… When we came closer, Mr Ward opened a box and gave us blankets, clothes and food. He asked us where the others were, and we told him that they had gone over the hill. He told us to follow them and to call them back, and to come back all together and to wait at the road building camp. We agreed to do this. He told all us kids, “This is one blanket for all of you, you have to share it.” But we didn’t take the blanket. We kept walking with no clothes on, we left it there, no clothes, no blanket, didn’t even take the dresses.

We followed our parents over the hill… We spent the night with them and then went back to the place where we had been spotted [originally, at Parnngurr rockhole]. We waited there for the whitefellas to come back. When they arrived, they said that they had left their truck in between Parnngurr and Jigalong because it couldn’t go over the sandhills. The whitefellas were coming to get us in the Land Rover, taking three of us at a time, over to where the truck was waiting. From there they were carting all the people back to the truck. We all got in the truck and went right up to Old Jigalong, got there in the night time. That’s all.”

– Ngamaru Bidu, as translated by Ngalangka Nola Taylor

Parnngurr rockhole is located just south of Parnngurr Aboriginal community. This site lies within Ngamaru’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. For many Martu, including Ngamaru, Parnngurr also signifies the location at which their nomadic bush life came to an end. Poignantly described here by Ngamaru, it was here that a group of 29 Martu were picked up by the Native Welfare Department to be taken to Jigalong Mission in 1963. Collectively the group had come to the decision to move to the mission as a result of an extended drought, which had caused a scarcity in food and water resources. The group also wanted to join their families, who had already moved to Jigalong.

At the junction of three linguistic groups; Manyjilyjarra, Kartujarra, and Warnman, Parnngurr rockhole was a critical and permanent source of water during the pujiman (traditional, desert born) era that supported many ritual large gatherings. During this nomadic period families stopped and camped here depending on the seasonal availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. At Parnngurr and other similarly important camp sites families would meet for a time before moving to their next destination. Parnngurr and its surrounds are physically dominated by distinctively red tali (sandhills), covered sparingly with spinifex and low lying shrub.

Parnngurr is also an important site chronicled in the epic Jukurrpa (Dreaming) story of the Jakulyukulyu, or Minyipuru (Seven Sisters). The sisters stopped to rest on Parnngurr Hill before continuing on their long journey east. Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

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Parnngurr Rockhole (Cotton Creek)

“Bugai [Whyoulter] told us to go back towards Parnngurr [with the intention of going into Jigalong mission], and we all went together along the track towards Parnngurr. In the afternoon we were going along, getting water for ourselves and walked over a sandhill. On the other side of the sandhill were a lot of vehicles: there was a bulldozer in front, then a grader and then several Land Rovers. We dropped everything and started to run. Old Man Biljabu [Jakayu’s husband] stopped and got ready to kill the whitefellas with his maparn [invisible power]. The whitefellas were waving in a friendly way and we all called out to Old Man Biljabu, “Stop! Stop! Don’t do it!” Jakayu and her husband started to walk towards the whitefellas. Everyone else followed behind them, starting to walk slowly.

We went and met the whitefellas and started talking to them, but they couldn’t understand us… The whitefella told us to go back to our camp and he would come and bring us food. After a time, he came and gave us a whole sheep, and some flour, sugar, bread and fruit. We threw the sheep away [for fear it might be poisoned] and left all the other food except for the sugar. We didn’t boil the sugar in the water with the tea, we just stirred it into warm water and drank it, like we did with bush tucker [edible botanical gum]. We used some of the flour to make a wet dough and drizzle it onto the ashes, the way we cooked seed damper. We didn’t finish eating the food – we just got up and went to Wiirnukurrujunu for pencil yams. We saw other Martu family groups pass by on the far side.

[Later, ] the whitefella followed us and found us where we were asleep… He went back to the mission to get Martu people who could translate. He went back to Jigalong and told Bob Ward, an old man, Sam Kelly’s father. He and Mr. Ward tracked us all the way to Yulpu and got there in the afternoon.

That day, everyone had gone hunting, and when we came back to our camp, there were four or five Land Rovers there. Mum had gone hunting early in the morning, carrying water with her. All us kids had gone west from Yulpu, and we had got one big goanna between all of us. When we came back in the afternoon, we saw that the whitefellas were in our camp, waiting for us. Us kids walked over slowly… When we came closer, Mr Ward opened a box and gave us blankets, clothes and food. He asked us where the others were, and we told him that they had gone over the hill. He told us to follow them and to call them back, and to come back all together and to wait at the road building camp. We agreed to do this. He told all us kids, “This is one blanket for all of you, you have to share it.” But we didn’t take the blanket. We kept walking with no clothes on, we left it there, no clothes, no blanket, didn’t even take the dresses.

We followed our parents over the hill… We spent the night with them and then went back to the place where we had been spotted [originally, at Parnngurr rockhole]. We waited there for the whitefellas to come back. When they arrived, they said that they had left their truck in between Parnngurr and Jigalong because it couldn’t go over the sandhills. The whitefellas were coming to get us in the Land Rover, taking three of us at a time, over to where the truck was waiting. From there they were carting all the people back to the truck. We all got in the truck and went right up to Old Jigalong, got there in the night time. That’s all.”

– Ngamaru Bidu, as translated by Ngalangka Nola Taylor

Parnngurr rockhole is located just south of Parnngurr Aboriginal community. This site lies within Ngamaru’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. For many Martu, including Ngamaru, Parnngurr also signifies the location at which their nomadic bush life came to an end. Poignantly described here by Ngamaru, it was here that a group of 29 Martu were picked up by the Native Welfare Department to be taken to Jigalong Mission in 1963. Collectively the group had come to the decision to move to the mission as a result of an extended drought, which had caused a scarcity in food and water resources. The group also wanted to join their families, who had already moved to Jigalong.

At the junction of three linguistic groups; Manyjilyjarra, Kartujarra, and Warnman, Parnngurr rockhole was a critical and permanent source of water during the pujiman (traditional, desert born) era that supported many ritual large gatherings. During this nomadic period families stopped and camped here depending on the seasonal availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. At Parnngurr and other similarly important camp sites families would meet for a time before moving to their next destination. Parnngurr and its surrounds are physically dominated by distinctively red tali (sandhills), covered sparingly with spinifex and low lying shrub.

Parnngurr is also an important site chronicled in the epic Jukurrpa (Dreaming) story of the Jakulyukulyu, or Minyipuru (Seven Sisters). The sisters stopped to rest on Parnngurr Hill before continuing on their long journey east. Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.