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Anangu Tjuta at Nyunmanu & Papa Tjukurrpa
This work is about both a memory Doris has and a Tjukurrpa (dreaming) story, of a place called Nyunmanu. Doris lived here for many years.
The memory is ‘Anangu tjuta at Nyunmanu’ – lots people living in a cave. Watis (men), kungkas & pipirri (children). There is lots of minkulpa (bush tobacco) growing in this cave. Older kungkas are telling young kungkas to dance. Snakes and goannas were speared and eaten as a meal. Everyone is taking minkulpa and sleeping heavy.
Another memory Doris has of this place, is her and her husband walking a very long way to this place. They were looking for water but could not find any and her husband got sick in this cave. They didn’t have a fire, it was too dangerous. Doris says ‘this place can make you go mad’.
Nyunmanu is a Dingo Tjukurrpa site just to the south east of the remote Aboriginal community of Kintore in the Northern Territory. Most of the dingoes and their pups from this place rose up into the sky and became stars. However, the ancestral mother Dingo and her pup had gone out hunting and were too tired to rise up, so they turned into a large rock that marks the place of this sacred Dreaming.
It is said that if you sleep in this place you will dream of the ancestral dingo puppies. The story goes that if you remove one of the gleaming stones found at Nyunmanu, the puppies will haunt your dreams until you return it to the place where it belongs. The custodians of this Tjukurrpa are Nungarrayi, Tjungarrayi, Napaltjarri and Tjapaltjarri women and men.
The circles in this story often represent important waterholes. The roundels extending from the circles are the designs the women paint on their breasts during ceremony.
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Kalipinypa
The painting depicts designs associated with Kapi Tjukurrpa (Water Dreaming) at Kalipinypa a site northwest of Sandy Blight Junction, Western Australia.The Tjukurrpa tells of an important rain making ceremony to invoke the elements. It is a powerful storm bringing on the lightning, thunderclouds and rain sending its deluge to rejuvenate the earth, filling rock holes, clay pans and creeks. It has the power to create new life and growth upon the land. The different elements of the image represent puuli (hills), tali (sandhills) and kapi (water). Plants and leaves spring up after the heavy rain, nourishing the land and the people. The concentric circles represent waterholes, while the arrow shapes represent the footprints of the white heron that frequents the site.
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Gyorn Gyorn (Bradshaws) Framed
The Wandjina created the earth and all life upon it, then he created the first human beings: the Gyorn Gyorn people. He then told them to work the land and do well. The Gyorn Gyorns were confused and didn’t understand what the Wandjina wanted from them. The Wandjina was annoyed couldn’t control the Gyorn Gyorn so he travelled back to Wallungunda (Milky Way) to where Idjair was and asked if he could help with the creation. More Wandjinas came back and helped him in all areas of creation. The Gyorn Gyorns became hunters and gathers. They also show the traditional dancing amongst our tribes.
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Kungka Tjukurrpa at Ilpilli
This painting represents the sacred site of Ilpilli, Napurrula’s country, which is located between Mt Liebig and Kintore.
Karen’s ancestors (The Napurrula women) were travelling across land searching for water and came upon this site. They discovered rockholes with water and a creek, which meant there was plenty of food around. This became a significant place and they remained there for a long time.
Eventually the missionaries came and took them to Haasts Bluff.
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Ngayuku Ngura
This painting depicts designs that evoke various parts of the landscape of Janet’s Country, Nyapari. Nyapari is located near Amata in South Australia. The repeated curved shapes represent rock formations and bush tucker. The concentric circles represent waterholes or meeting sites. If present, the U shapes represent women sitting around a waterhole. Janet has depicted spinifex bushes, bush flowers and water courses which are found in Nyapari. Janet’s work captures the immense beauty of Nyapari.
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Yunala Tjukurrpa (Bush Carrot)
In this painting Adrian depicts the Yunala Tjukurrpa, a story passed down from his father. The one continuous line that intricately weaves across the canvas represents the roots hidden underground. The four pronged shapes are the grass that push up to signal where to dig. Through this work, Adrian is also able to express the significant memories he holds of digging for Yunala ,or bush carrots, with his father near Kiwirrkurra.
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Papa Tjukurrpa – Nyumannu
Nyunmanu is a Dingo Dreaming site just to the south east of the remote Aboriginal community of Kintore in the Northern Territory. Most of the dingoes and their pups from this place rose up into the sky and became stars. However, the ancestral mother Dingo and her pup had gone out hunting and were too tired to rise up, so they turned into a large rock that marks the place of this sacred Dreaming.
It is said that if you sleep in this place you will dream of the ancestral dingo puppies. The story goes that if you remove one of the gleaming stones found at Nyunmanu, the puppies will haunt your dreams until you return it to the place where it belongs. The custodians of this Tjukurrpa are Nungarrayi, Tjungarrayi, Napaltjarri and Tjapaltjarri women and men.
The circles in this story often represent important waterholes. The roundels extending from the circles are the designs the women paint on their breasts during ceremony.
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Four Dreamings
In this work Carbiene depicts four dreaming stories which he inherited from his father. These tjukurrpa are associated with a series of waterholes running between Docker River and Kata Tjuta. Specifically, it includes four important sites: Petermann Ranges, Docker River, Kalaya Murrpu (Blood’s Range) and Mulyayti near Kata Tjuta.
As a young man, Carbiene returned to these places and retraced the footsteps of his father. These memories stay with him vividly today.
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Untitled
Simon’s paintings depict the dreaming stories and the travels of the Tingari, using the traditional concentric circle and line design.
Tingari refers to the Dreaming and its Laws for the Pintupi language group of the Central Western Desert. The Tingari is the Creation era when the Dreamtime Ancestors moved across the lands, creating the features of the landscape and all aspects of the natural world.