Woven Sculpture (Star) Yolŋu weavers of Arnhem Land craft both utilitarian and ceremonial objects using naturally sourced materials, with more recent works also including decorative pieces. The choice of fibre depends on the intended function of each piece. One of the primary materials is the young, green leaves of the Read more…
Maisie Petyarre Bundey – Bush Tucker Maisie paints the bush tucker found in her country, the area that surrounds Boundary Bore in the Utopia homelands. She paints bush plums, bush bananas, bush potatoes and bush medicine plants. The main motif which recurs often in Maisie artworks is a full coolamon. Read more…
Elizabeth Ngwarraye Bonney – My Homeland Tijamburra My homeland is Tijamburra, Canteen Creek, I love that country, it is my Grandmother’s country and it is the only country that I paint. It is fresh country after the rain and it is always plentiful with bush tucker and bush medicine. There Read more…
Yawkyawk (Young Woman Spirit) – Sonia Namarnyilk A blue base 4 colour design that is so beautiful it is often stretched and displayed as an artwork. Yawkyawk is a word from the Aboriginal Kuninjku language, meaning ‘young woman’ and ‘young woman spirit being’. Sometimes compared to the European notion of Read more…
Wuukarta (honey ants) Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting Read more…
Untitled Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography and Read more…
Untitled This is Dale’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Wanti Yuu (Women, Yeah!) – Sylvia Wilson “Wanti Yuu (Woman Yeah!) is a story of resilience and of women coming together. It is about the strength of the women in our community who put themselves last and take on a lot. She [Wanti Yuu] is someone who looks after her Read more…
Rockhole “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Bush Medicine Traditional Martu knowledge of plant properties was encyclopedic, and saw plants used for purposes as diverse as food resources, carving implements, tobacco, firewood, shelter construction, and bush medicines. Depicted in this work are types of bush medicines, their habitats, and the processes used in their preparation. Physical ailments Read more…