Blog

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Minyma Kutjara

There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.

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Ngayuku Ngura – My Country

Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Tjala / Honey Ants

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Anangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Anangu mythology and inter-dependence on the environment.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Putipulawa Putitja – Wildflowers

This design is based on the many native flowers that grow locally in Pukatja and through the Musgrave Ranges. When we go out to the bush, we see all the different colours from many plants growing.  Flowers are important to the women and the health of the land, and much excitement is felt as they burst into life.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Nyalpi Punu Ilykuwara (Leaf of Witchetty Tree)

Favourite bush foods of Anangu Pitjantjatjara include maku (witchetty grub). Until recently, bush foods were the primary sustenance for Anangu Pitjantjatjara. Many bush foods are still gathered regularly almost exclusively by women, thus they feature strongly in women’s mark making. Women learn the art of gathering each of the foods from a young age and much inma (ceremony) relates to these practices and the maintenance of supply. Anangu say that eating maku is good for the brain and mental health.

Maku live in the ilykuwara tree, or witchetty bush, a tall shrub or a small tree. The maku live in the roots of the ilykuwara and this design is a depiction of its leaves.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Tjala / Honey Ants

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Anangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Anangu mythology and inter-dependence on the environment.