Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…
Nungabar (Nyangapa) Nora This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Puntawarri and Pimpi This painting depicts the country around Pimpi and Puntawarri, an area in the artist’s country. Puntawarri, a now abandoned community is in-between Jigalong and the Canning Stock Route, Pimpi is an area near here. This place is Read more…
Wanalirri Wanalirri (Wandjina) with Kira Kiro (Bradshaw) figures, Lu (Snake). The Wandjina are ancestral spirits who created country, people and animals in the North West Kimberley before turning themselves into rock paintings. They are sometimes called “lightning man” or “rain Read more…
Aru Aru (Rocks) – Berkley Coloured Rocks – Berkley River Country
Warran This painting encompasses many different layers of meaning for the artist. It represents an area of the artist’s Warran (country) where he lived and travelled traditionally during the pujiman (bush) days. The lines represent the tali (sand hills) that Read more…
Untitled This is Wurta Amy French’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and Read more…