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River, rocks, yawkyawk (young woman spirit)

“This river we call Mangabo. It is near Gudjarrngarrl homeland of my daughters, Deborah and Jennifer Wurrkidj. We cross that river when travelling to Munmoy outstation. In the wet season, that water comes up and covers over those rocks, and when you look down there are rocks all under the water.” 

– Helen Lanyinwanga

377810582397369



River, rocks, yawkyawk (young woman spirit)

“This river we call Mangabo. It is near Gudjarrngarrl homeland of my daughters, Deborah and Jennifer Wurrkidj. We cross that river when travelling to Munmoy outstation. In the wet season, that water comes up and covers over those rocks, and when you look down there are rocks all under the water.” 

– Helen Lanyinwanga

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Kunkih (Mud Ripples)

This design depicts the patterns of the freshwater mud ripples, which emerge after strong monsoonal wet seasons on the Djinkarr and Nangak flood plains.

These ripples form on the earth’s surface in delicate repetitive and shifting patterns. The mud ripples move, crack, disappear and re-emerge in response to the changing wind, rains and new sun.

The mud ripples depicted in this design are on Elizabeth’s homeland, the Djinkarr and Nangak floodplains south of Maningrida in Arnhem Land.

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Wayuk (Waterlily)

Wayuk (Waterlily) Nymphaea violacea. 

The stem of wayuk is a popular bushfood and the beautiful flower is enjoyed across Arnhem Land. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

377810582410819



Wayuk (Waterlily)

Wayuk (Waterlily) Nymphaea violacea. 

The stem of wayuk is a popular bushfood and the beautiful flower is enjoyed across Arnhem Land. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Ngarndúma (palm tree)

Ngarndúma  2022

This is a kind of tall palm tree with one straight trunk growing in Arnhem Land. 

From Njamed.com:

Kentia palm. Gronophyllum ramsayi; Carpentaria acuminata. Gender: djíya; Moiety: Yírriddjanga. N A. Karlakkalóddjarra márdba ka-rénjdjeya. The new shoot is sweet. The growing tip of young palms eaten raw; large palms are not eaten. The fruits are toxic to people but eaten by fruit pigeons. 

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Yawkyawk (young women spirit) (on a rock)

“This mermaid lives in a special freshwater billabong in the manberrk (savanna woodland).

She is sitting on a rock on the edge of the kunronj (billabong). When we see the kunronj shining, and the sun goes down we call this kahbohmimihmeh.

 

 

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Wayuk (Waterlily)

Wayuk (Waterlily) Nymphaea violacea. 

The stem of wayuk is a popular bushfood and the beautiful flower is enjoyed across Arnhem Land. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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River and Rocks

“This river we call Mangabo. It is near Gudjarrngarrl homeland of my daughters, Deborah and Jennifer Wurrkidj. We cross that river when travelling to Munmoy outstation. In the wet season, that water comes up and covers over those rocks, and when you look down there are rocks all under the water.” 

– Helen Lanyinwanga