Bawinanga Aboriginal Corporation

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Yokkarra (fish), Ngaduna (palm tree) & Barruar (Seagull egg)

‘Hi it’s me Marilyn! I’m the age of 52. I like working at the women centre and doing lino printing but I prefer screen printing. I have one design, that’s lorrkkon (hollow log). My great grandfather used to make lorrkkon and do bark paining. I never met him but I heard a lot of stories about him. My mother used to tell me history stories. When I was 16 my parents passed away. I’m was on my own but now I’ve got my own family and my partner who helps me. I’ve got 6 grandchildren.

My homeland is Entrance island, Haulround island and Juda point. I really like Haulround island and that’s where we collect barruar (seagull egg). Entrance island is my favourite camping area, I go across with boat. Balanda (non-Aboriginal or European people) can’t go into those islands or Juda point without permission from me.

Come and chat to me if you want to go to any of those places. We have a sacred totem ngaduma (palm tree) at those places and if people destroy it, we will have a strong wind and maybe a cyclone.’

Marilyn James 2021

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Djomi

This design depicts the story of the artist’s ancestral dreaming, the Djomi fresh water spirit mermaid.

The Djomi figure is a mermaid like spirit with fish tail that lives in the fresh water stream that flows out to the sea cliff near Maningrida. Djomi is a known to be a very powerful fertility symbol.

‘If you go there you can get pregnant easily. Djomi has babies, and they can give others babies too. The Djomi spirit is so powerful, that women can end up with multiple babies at once, twins or sometimes even more. The Djomi spirits lay eggs near the sacred freshwater stream in Maningrida. Inside the eggs are human babies as well as young Djomi.

Men do not go near that swamp, because Djomi is so powerful that men might get pregnant there too. So men, they are too scared of that Djomi. When we visit the Djomi freshwater spring, we can hear young Djomi crying. They sound like normal babies crying, those Djomi spirits. They are looking for a mother.

This Djomi is my dreaming, I got permission from my djunguys to paint this Djomi design. For me I always ask my djunguy permission to paint, because that is our cultural way.

This design also depicts the fresh water lily leaves, and seaweed from the base of the sea floor.

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Bush potato flower

‘When we go out hunting we find bush potatoes, the long ones. They are called bulwud sp?. (Kuninjku)  The flower is long and we follow the stem to the potato root. We peel it eat the white part. When we cook them they taste like potato.’ Lucy Yarawanga 

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Bush Flowers

I love printing bush flowers.  We have lots of types on my Country. Some are used for different cultural purposes. 

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Au-gujechiya (fishtrap)

Au-gujechiya (fishtrap) sometimes portrayed with an-maka (cowtail stingray), rajarra (barramundi) and other fish inside. 

Elizabeth has permission from her djunkay to draw this historic and important object traditionally used to trap fish in rivers, creeks and estuaries. In the early wet season they swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again.

 

Elizabeth is from the Burrarra language group and her homeland is Gupanga, Arnhem Land.  

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Au-gujechiya (fishtrap)

Au-gujechiya (fishtrap) sometimes portrayed with an-maka (cowtail stingray), rajarra (barramundi) and other fish inside. 

Elizabeth has permission from her djunkay to draw this historic and important object traditionally used to trap fish in rivers, creeks and estuaries. In the early wet season they swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again.

 

Elizabeth is from the Burrarra language group and her homeland is Gupanga, Arnhem Land.  

By , ago