Papulankutja Artists

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‘Kungkarrangkalpa’ (The Seven Sisters / Pleiades) – Angela Lyons

‘Kungkarrangkalpa’ (The Seven Sisters / Pleiades) is an important Tjukurrpa (Dreaming) across the Ngaanyatjarra Lands. Many families hold knowledge for different parts of this story, and each community paints its own chapter according to Country and ancestral responsibility.

Angela’s paintings focus on the celestial aspect of the story — the moment the sisters move from the earth into the sky. The star cluster becomes the seven bright forms she paints: six surrounding one, often arranged like a shield pattern. This reflects the way the sisters move together, protect each other, and travel as a tight group while fleeing Wati Nyiru, who appears in the sky as Orion’s Belt.

Nyiru follows the sisters across Country, disguising himself with magic — turning into kampurarrpa (bush tomato), a yirli (wild fig), or even a tree — trying to tempt them. But the sisters see through his tricks, outwit him, and keep running. When the chase becomes too much, they rise into the sky, forming the Pleiades. Nyiru follows them, always behind, never close enough.

Angela expresses this story using bold, high-contrast colours and strong circular forms. Her shield-like shapes represent the sisters’ strength and unity, while the central star often marks the eldest sister — the one the others protect along the journey. Through her palette and composition, Angela brings the energy, movement, and brightness of the sky-world into her canvas.

This painting is a contemporary interpretation of a cultural story carried across generations, connecting sky, Country, and ancestral memory.

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Women collecting bush foods

The Anangu people travelled vast desert landscapes, following the seasons for food and shelter, deeply attuned to the rhythms of the land. This resilience and wisdom embedded in traditional bush foods that sustained them across generations.

Maku (Witchety Grubs), with their creamy, nutty flavour, represent survival and the resourcefulness to draw nourishment from deep within tree roots. Kampurarrpa (Desert Raisins), small and tangy, add brightness and essential nutrients to desert diets, thriving under intense sun.

Ipalu (Bush Banana), a climbing vine with crisp, slender fruits, offers fibre and hydration—a refreshing staple in arid climates. Ili (Bush Figs), with their mild sweetness, grow from rugged trees, offering a delicate treat in the harsh terrain.

Through vibrant colours and intricate designs, these bush foods embody the spirit of Ngaanyatjarra culture, each a testament to the land’s gifts and the knowledge passed through generations.

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Women collecting bush foods

The Anangu people travelled vast desert landscapes, following the seasons for food and shelter, deeply attuned to the rhythms of the land. This resilience and wisdom embedded in traditional bush foods that sustained them across generations.

Maku (Witchety Grubs), with their creamy, nutty flavour, represent survival and the resourcefulness to draw nourishment from deep within tree roots. Kampurarrpa (Desert Raisins), small and tangy, add brightness and essential nutrients to desert diets, thriving under intense sun.

Ipalu (Bush Banana), a climbing vine with crisp, slender fruits, offers fibre and hydration—a refreshing staple in arid climates. Ili (Bush Figs), with their mild sweetness, grow from rugged trees, offering a delicate treat in the harsh terrain.

Through vibrant colours and intricate designs, these bush foods embody the spirit of Ngaanyatjarra culture, each a testament to the land’s gifts and the knowledge passed through generations.

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The boy who turned into wind (pirriya) at Walu rockhole

This story is about a young boy who had no parents and was neglected.

There were two men (the boy’s uncles) and one young boy camping at Walu Rockhole, an important water site in the Gibson Desert, northwest of the tri-state border between Western Australia, the Northern Territory and South Australia. 

The men went hunting and the boy stayed behind waiting. The men returned with an emu and pulled out its heart. The boy was holding the heart and blood spilt out onto the rocks. He ran away with the heart and turned into a big whirlwind. The big whirlwind. came up and swept the families away. Today you can still see the emu’s blood trail where it stained the rocks.

Walu rock hole is a special place north of Papulankutja (Blackstone) where traditionally Yarnangu families would gather when water was available in the holes found in a flat rocky area.

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Nyuku Ngurra

These are the rockholes round about Blackstone. Nyuku Ngurra (my home).
This is a well, we used to pump the water from the hill but it broke, long time ago. On the other side of the hill is the water tank. This (painting) is before that pump broke. Kapi Pulkana. We travelled from rockhole to rockhole.

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Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

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Lukarrara Tjukurrpa – Margie Leo

In this artwork Margie has painted Lukarrara Tjukurrpa (Desert Fringe Rush Seed Dreaming). This Tjukurrpa comes from a place north of Yuendumu in the Northern Territory where Margie is from.

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Lukarrara Tjukurrpa – Margie Leo

In this artwork Margie has painted Lukarrara Tjukurrpa (Desert Fringe Rush Seed Dreaming). This Tjukurrpa comes from a place north of Yuendumu in the Northern Territory where Margie is from.

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Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

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Lukarrara Tjukurrpa

In this artwork Margie has painted Lukarrara Tjukurrpa (Desert Fringe Rush Seed Dreaming). This Tjukurrpa comes from a place north of Yuendumu in the Northern Territory where Margie is from.