Basket Weaving is a skill that has been practiced by Martu for thousands of years in the making of utilitarian and ceremonial items, such as yakapiri (bark sandals) and manguri (head pads for balancing carved carrying dishes). However, coiled basket weaving as an artform is a relatively newly adopted practice for Read more…
Basket Weaving is a skill that has been practiced by Martu for thousands of years in the making of utilitarian and ceremonial items, such as yakapiri (bark sandals) and manguri (head pads for balancing carved carrying dishes). However, coiled basket weaving as an artform is a relatively newly adopted practice for Read more…
Basket Weaving is a skill that has been practiced by Martu for thousands of years in the making of utilitarian and ceremonial items, such as yakapiri (bark sandals) and manguri (head pads for balancing carved carrying dishes). However, coiled basket weaving as an artform is a relatively newly adopted practice for Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “Martu people know how to find water in the desert, they know the Country looks different where there is water under the ground.” – Corban Clause Williams Depicted in this work are sources of kapi (water) within the artists’ ngurra (home Country, camp), typically represented with circular forms. During Read more…
Mirtikanya (Mujupunkanu, Watchpoint Hill) Mirtikanya is a hill and claypan close to Balfour Downs Station and north of Jigalong Aboriginal community, where Dale continues to live today. During the pujiman (traditional, desert dwelling) era, Mintikanya was primarily used as a camping site in the wantajarra (wet season), when the Read more…
Waterholes This work depicts waterholes within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge of Read more…
Waterholes This work depicts waterholes within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge of Read more…
Waterholes This work depicts waterholes within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge of Read more…