December 2022

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Gananhdharr (white heron)

This painting represents the Gananhdharr song line. Gananhdharr (white heron) can be seen at low tide searching for goya (fish) particularly garkuyi (mullet). They hunt alongside their ŋäṉḏi (mother), Ngulungulu (grey heron), at low tide, across the flood plains and amongst larrtha (mangroves).

“When you look in the distance, when the tides out, you see Gananhdharr and Ngulungulu and think you see human beings fishing. The sun gives the illusion they are taller.  That’s how we sing the song and dance.”

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Wayanaka (oysters), Djanda (goanna) ga Wurrutjara (sand palm)

Cecilia has painted totemic species significant to her Durrurrnga clan. In this painting she has depicted Wayanaka (oysters), Djanda (goanna) and Wurrutjara (Sandpalm). 

 

 

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Naku (canoe)

This painting depicts naku (canoes) that were made traditionally from the bark of a particular tree and used for hunting. In this painting, Selena has depicted Yolngu men hunting for gumang (magpie geese) eggs. 

 

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Burala (Diving Ducks]

This painting depicts diving ducks, both realistically and symbolically. A particular clan group uses the object in the painting during a hollow log ceremony (traditional funeral ceremony). The rrark (cross hatching) is the water. One group will perform the catfish dance whilst another performs as diving ducks. The object is whirled above the head to make a noise that emulates the ducks “roar”. The dance crescendos into the catfish coming closer to the diving ducks allowing them to eat the catfish in a frenzy.

 

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Sword fish

Billy paints stories from his Dhuwa homeland in north east Arnhem Land. Stories are passed on either paternally or maternally, and Billy would have learnt these stories from his ancestors. The cross-hatching style (Rrark) is a traditional painting style of this area and can represent elements such as water, air and wind. His paintings often feature totemic animals of the fresh waters of north east Arnhem Land.

When Billy was a little boy his dad used to go out on the waters around Millingimbi in a canoe to catch swordfish with a spear. Billy says “They are the biggest out that way!”  His dad would catch them and bring them back to camp for the whole family.

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Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

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Banda (Long Necked Turtle) ga Baru (crocodile)

The banda (long necked turtle) and baru (crocodile) are dreaming totems for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory

The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangga (Creator Beings), long ago close to the beginning of time. These creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it.

These creator spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Some of their major Creative Beings include Banda (freshwater long neck turtle) and Yalman (water lilies).

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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Banda (long-necked turtle) ga Buliya (catfish)

In this painting, Evonne has painted her Mari (mothers, mother) dreaming of Banda (long-necked turtle), Buliya (catfish)  and Mundukul (water snake). This is a freshwater story from Ganalbingu country in the Arafura Wetlands. Evonne’s Mari taught Evonne’s mother, Joy Burruna, to paint at an early age. Joy passed on her knowledge and taught Evonne to paint at an early age, keeping alive Yolngu traditions for many generations.