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Mimi Spirit

“Mimi go through rock country. Hide in cracks. May be cheeky. Mimi look after and renew country.”

This stunning Mimi Spirit has been hand crafted from native beach hibiscus sourced in Darwin. Carved using a mix of sharp hand tools it has then been finished in modern acrylic paints.

Painting has been completed using a handmade Jarlk grass reed brush harvested from local billabongs and wet areas. Raark or fine line work has been completed using this brush and is in Yirritja style. This style consists of multiple lines before alternating colour.

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Mimi Spirit

“Mimi go through rock country. Hide in cracks. May be cheeky. Mimi look after and renew country.”

This stunning Mimi Spirit has been hand crafted from native beach hibiscus sourced in Darwin. Carved using a mix of sharp hand tools it has then been finished in modern acrylic paints.

Painting has been completed using a handmade Jarlk grass reed brush harvested from local billabongs and wet areas. Raark or fine line work has been completed using this brush and is in Yirritja style. This style consists of multiple lines before alternating colour.

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Dance Belt

Dance belts are an important cultural component of ceremony. This belt has been made from a mix of bush string, double twisted to form the belt component, along with cotton string for the dangling components. White cockatoo feathers are used at the end of the dangle.

Bush String is incredibly labour intensive to construct. Artists collect Anputput (Kurrajong, pronounced “but but”), and then steam the logs in a fire. Bark is peeled off and the outer darker skin discarded. The softer inner fibre is mashed and separated into usable strips which has a lace-like visual look. From here the strips are rolled – usually on a leg or thigh – and spun into the string form. This alone is very time consuming as the artist needs to create the material from which she weaves. For thicker ropes, this process is repeated so each strand is actually constructed from two pre-constructed strands (four or even more strands in total).

At this point, with a functional material to start with, the artist begins to construct the belt; wrapping, weaving and tying. Raw rope can be colour dyed, or painted using ochre or modern acrylic paint. White cockatoo feathers are often used, along with biddih, or sugar bag bee wax.

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Mimi Spirit

“Mimi go through rock country. Hide in cracks. May be cheeky. Mimi look after and renew country.”

This stunning Mimi Spirit has been hand crafted from native beach hibiscus sourced in Darwin. Carved using a mix of sharp hand tools it has then been finished in modern acrylic paints.

Painting has been completed using a handmade Jarlk grass reed brush harvested from local billabongs and wet areas. Raark or fine line work has been completed using this brush and is in Yirritja style. This style consists of multiple lines before alternating colour.

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Mimi Spirit

“Mimi go through rock country. Hide in cracks. May be cheeky. Mimi look after and renew country.”

This stunning Mimi Spirit has been hand crafted from native beach hibiscus sourced in Darwin. Carved using a mix of sharp hand tools it has then been finished in modern acrylic paints.

Painting has been completed using a handmade Jarlk grass reed brush harvested from local billabongs and wet areas. Raark or fine line work has been completed using this brush and is in Yirritja style. This style consists of multiple lines before alternating colour.

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Mimi Spirit

“Mimi go through rock country. Hide in cracks. May be cheeky. Mimi look after and renew country.”

This stunning Mimi Spirit has been hand crafted from native beach hibiscus sourced in Darwin. Carved using a mix of sharp hand tools it has then been finished in modern acrylic paints.

Painting has been completed using a handmade Jarlk grass reed brush harvested from local billabongs and wet areas. Raark or fine line work has been completed using this brush and is in Yirritja style. This style consists of multiple lines before alternating colour.

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Woven Basket with Handle

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s. Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Bag

Art Centre notes: The basket/bag is made of natural raffia/sea chord.

It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast.

Size of bowl:  12cm x 10cm

Length of strap: 50cm

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Basket

Art Centre notes:

The basket is made of natural raffia/sea chord. It is made using a traditional ‘one twist’ method.

The dyes are commercial and colour fast.

Size of bowl: 11cm x 10cm

Length of strap: 11cm

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Basket

Art Centre notes:

The basket is made of natural raffia/sea chord. It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast.

Size of bowl: 11cm x 9xm Length of strap: 15cm